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THE LAST MILE

From the Lithia Trilogy series , Vol. 3

One (OK, three) of a kind for readers who prefer their fantasy tinted green, with fangs that sink into grains, not veins.

The trilogy that introduced vegan vampires (don’t call them “sapsuckers”), passionately environmentalist thespians and the southern Oregon town they call home (well, actually they call it Lithia) comes to an end here, and not a moment too soon.

Life is sweet for Kat, proud owner of a mountainside, now a stagehand playing real-life Juliet to Roman’s (real-life and onstage) Romeo, with Alex a potential suitor if things don’t work out. Unfortunately, their powerful vampire progenitor, Victor, remains faithful to the (undead) paleo diet. Her mother’s serpentine pendant protects Kat for now, but Roman warns her, Victor will find a way around it. The earthquake he sets off at her landlord’s wedding proves he means business. Has Victor found a way to awaken Mount Lithia, the dormant volcano looming over the town? Repetitive recapping of the first two books, plus Kat’s soliloquies on animal rights and environmentalism, go on a tad longer than necessary, and like Roman’s ponderous warnings, they lack humor. Never mind—the real protagonist, Lithia, hasn’t lost a bit of its quirky, high-altitude allure; rain gear–clad theatergoers throng the streets sampling the Bard’s offerings, while local runners lace up their shoes for Cloudline—a race to the mountain’s not-quite-dormant summit.

One (OK, three) of a kind for readers who prefer their fantasy tinted green, with fangs that sink into grains, not veins. (Paranormal romance. 12 & up)

Pub Date: Oct. 31, 2014

ISBN: 978-1-61822-026-4

Page Count: 244

Publisher: Ashland Creek Press

Review Posted Online: Aug. 19, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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DEATH BENEFITS

In this character-driven intergenerational story, Royce Peterson and his single mother have recently moved from Nova Scotia to British Columbia to help care for Arthur, Royce’s 95-year-old grandfather and one of the greatest cellists of the 20th century. After the curmudgeon chases off every aide, the teen is enlisted to watch his grandfather. At first the homesick, friendless and mono-recovering teen and his homebound, rude and crude grandfather are at odds, but then Royce gains new appreciation for Arthur—he caroused with Gloria Vanderbilt and Picasso, traveled the world, loved and lost loves—and Arthur begins to appreciate life again. But just as the pair begins to respect each other, Arthur suffers a series of debilitating strokes and asks Royce to end his life. Inspired by her experience caring for her aged father, Harvey offers a realistic view of the aging process, the difficult decisions left to loved ones and the need for friends and family. Sophisticated readers and fans of Joan Bauer’s Rules of the Road (1998) or Louis Sachar's The Cardturner (2010) will enjoy the grandfather-grandson banter and tenderness. (Fiction. 13 & up)

Pub Date: Oct. 1, 2010

ISBN: 978-1-55146-226-2

Page Count: 224

Publisher: Orca

Review Posted Online: Aug. 31, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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A GOOD LONG WAY

Two Rio Grande Valley high schoolers flirt with cutting out early but find reasons to finish school in this purposeful but intense tale. For Beto, it’s a combination of pride, disinterest in school and a clash with his caring but harsh father that sends him stalking away to spend the night in a Dumpster. For Beto's longtime friend Jessy, it’s a strong desire to be an artist, plus the strain of hearing her father beating her mother and knowing that her turn will be coming up one of these nights, that drives her to head for the bus to San Antonio. Using a mix of tenses and all three persons, Saldaña lays out his characters’ thoughts and emotional landscapes in broad strokes—creating a third angle of view by adding Beto’s little brother Roelito, who works his nalgas off in school but shows early signs of an ominous anger, as another narrative voice. The action takes place over the course of a little more than 12 hours, neatly capturing the spontaneity of teen impulses. Teen readers chafing at the domestic bit will find food for thought here. (Fiction. YA)

Pub Date: Oct. 30, 2010

ISBN: 978-1-55885-607-3

Page Count: 112

Publisher: Arte Público

Review Posted Online: Aug. 31, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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