This biography sometimes feels like a great song, so sad it can leave you joyous.
Stories about heroes are almost always a little sad.
Like many activists, Natan Sharansky was punished nearly every time he fought for the goals he believed in. He was accused publicly of espionage by the Soviet authorities and spent years in prison and in labor camps, separated from his wife. The saddest part is that, for many people, his goals would have qualified as ordinary life: He wanted to live in Israel and practice his religion in the open. He eventually won those rights for himself and other Soviet Jews. Even after being locked up for close to a decade and completing several hunger strikes, he still had a remarkable sense of humor. While the dialogue captures emotional tenors well throughout, the most memorable lines in this graphic biography are often jokes he made. When KGB agents followed him into a taxi, he asked if they’d split the cab fare, and after years of constant surveillance, he said, “It’s like I have two shadows: one that is mine, and the other the KGB’s.” The text in the panels’ narrative boxes is less engaging, often coming across as boilerplate, but the pictures help to capture Sharansky’s personality. Though the likenesses—especially the pictures of presidents—aren’t always convincing, some of the drawings are vivid enough to look nearly alive. The historical figures in the illustrations are almost all light-skinned Soviets, Israelis, and Americans.
This biography sometimes feels like a great song, so sad it can leave you joyous. (timeline, glossary, reading list, historical notes) (Graphic biography. 8-11)Pub Date: May 1, 2021
ISBN: 978-1-5415-8899-8
Page Count: 64
Publisher: Kar-Ben
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
BOOK REVIEW
Well-informed and much-idealized if not entirely simplistic pictures of both the great man and his bustling estate.
Stepping carefully around the controversies, a former curator at Monticello reconstructs the septuagenarian Jefferson’s active daily round.
Jefferson’s fixed routine begins with a faithful recording of temperature and weather at first rising and ends with a final period of solitary reading by candlelight in his unusual alcove bed. In between, the author describes in often fussy detail the range of his interests and enterprises. There’s not only his “polygraph” and other beloved gadgets, but also meals, family members, visitors, and excursions to Monticello’s diverse gardens, workshops and outbuildings. Like the dialogue, which mixes inventions with historical utterances, the generous suite of visuals includes photos of furnishings and artifacts as well as stodgy full-page tableaux and vignettes painted by Elliott. The “slaves” or “enslaved” workers (the author uses the terms interchangeably) that Jefferson encounters through the day are all historical and named—but Sally Hemings and her Jeffersonian offspring are conspicuously absent (aside from a brief name check buried in the closing timeline). Jefferson adroitly sidesteps a pointed question from his grandson, who accompanies him on his rounds, by pleading his age: “The work of ending slavery is for the young.”
Well-informed and much-idealized if not entirely simplistic pictures of both the great man and his bustling estate. (sidebars, endnotes, bibliography) (Nonfiction. 9-11)Pub Date: Feb. 4, 2014
ISBN: 978-1-4197-0541-0
Page Count: 56
Publisher: Abrams
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
Routine assignment fodder.
A standard-issue profile of the renowned activist—one of a spate launched by his death in December 2013.
Doeden opens with Mandela on trial for treason in 1964, closes with a quote from Barack Obama’s eulogy and in between covers the civil rights leader’s long career from childhood to final illness. Small news photos and boxed discussions of apartheid and Steve Biko’s brief life accompany a narrative that reads like a term paper—though, looking at the paltry lists of notes and sources at the end, an inadequately documented one. Along with plenty of similar bio-trivia, readers will find out that Mandela moved from village schools in Qunu and Mqhekezweni to Clarkebury Boarding Institute, Healdtown and the University of Fort Hare before getting a correspondence-course law degree from the University of South Africa…but not why any of that is worth knowing or what light it sheds on his character, achievements and historical significance. Yona Zeldis McDonough’s Peaceful Protest (illustrated by Malcah Zeldis, 2002) or Kadir Nelson’s terse but masterful Nelson Mandela (2013) supply clearer, more cogent tributes.
Routine assignment fodder. (further reading, websites, index) (Biography. 8-11)Pub Date: Aug. 1, 2014
ISBN: 978-1-4677-5197-1
Page Count: 48
Publisher: Lerner
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: May 15, 2014
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