by Blexbolex ; illustrated by Blexbolex ‧ RELEASE DATE: March 6, 2018
Magical work, as immersive as the author’s Ballad (2013) or his larger-format picture albums.
Storm clouds darken—both literally and figuratively—a young girl’s solitary summer idyll when her grandpa welcomes a new houseguest.
Blexbolex teases with the new guest’s identity in this wordless outing, as it may look like a small gray elephant in most of the pictures, but it behaves like another child…and appears as a boy in a pair of dream sequences. The girl greets the new arrival’s friendly overtures with a cold shoulder and mean pranks initially, but she repents after alienating him so that he doesn’t come home one evening and then forcing her grandpa to go out into a blustery night to fetch him back inside. By then he’s fed up, though, so the standoff continues…until the night everyone in the community dons animal masks and gathers beneath the stars for a country fair. But just when it seems like the quarrel might be resolved, the girl wakes up next morning and he’s gone. She catches a final glimpse of the lad—and, astonishingly, the elephant—waving from the departing train. This poignant tale of lost opportunity is presented through a series of small action and reaction shots set within larger views of a tidy country house in serene woodsy surrounds, all printed in serigraphic style on rough surfaced cloth. Emotional tapestries are easy to plot, both through the interplay of rich colors and deep shadows and the characters’ strong, graceful postures and gestures. The primary (human) cast is pale-skinned.
Magical work, as immersive as the author’s Ballad (2013) or his larger-format picture albums. (Graphic fiction. 10-13)Pub Date: March 6, 2018
ISBN: 978-1-59270-246-6
Page Count: 128
Publisher: Enchanted Lion Books
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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BOOK REVIEW
by Blexbolex ; translated by Karin Snelson ; illustrated by Blexbolex
by Johnnie Christmas ; illustrated by Johnnie Christmas ‧ RELEASE DATE: May 17, 2022
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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PERSPECTIVES
by Varsha Bajaj ‧ RELEASE DATE: Aug. 27, 2019
The novel’s dryness is mitigated in part by its exploration of immigrant identity, xenophobia, and hate crimes.
Seventh graders Karina Chopra and Chris Daniels live in Houston, Texas, and although they are next-door neighbors, they have different interests and their paths rarely cross.
In fact, Karina, whose family is Indian, doesn’t want to be friends with Chris, whose family is white, because the boys he hangs out with are mean to her. Things change when Karina’s immigrant paternal grandfather, Papa, moves in with Karina’s family. Papa begins tutoring Chris in math, and, as a result, Chris and Karina begin spending time with each other. Karina even comes to realize that Chris is not at all like the rest of his friends and that she should give him a second chance. One day, when Karina, Papa, and Chris are walking home from school, something terrible happens: They are assaulted by a stranger who calls Papa a Muslim terrorist, and he is badly injured. The children find themselves wanting to speak out for Papa and for other first-generation Americans like him. Narrated by Karina and Chris in alternate chapters, Bajaj’s novel gives readers varied and valuable perspectives of what it means to be first- and third-generation Indian Americans in an increasingly diverse nation. Unfortunately, however, Bajaj’s characters are quite bland, and the present-tense narrative voices of the preteen protagonists lack both distinction and authenticity.
The novel’s dryness is mitigated in part by its exploration of immigrant identity, xenophobia, and hate crimes. (Fiction. 10-13)Pub Date: Aug. 27, 2019
ISBN: 978-0-525-51724-5
Page Count: 192
Publisher: Nancy Paulsen Books
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
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by Varsha Bajaj
BOOK REVIEW
by Varsha Bajaj ; illustrated by Simona Mulazzani
BOOK REVIEW
by Varsha Bajaj ; illustrated by Eliza Wheeler
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