Next book

BABY GRAND

A stylishly structured and poetically described family tale hampered by an improbable key moment.

An Italian American showgirl gives up her daughter for love in this novel.

The story opens with the aging Lina “Lila” Granatelli looking over old photographs in the living room of her elegant Palm Beach, Florida, home. A former stage performer, Lila examines a wartime photo that was given to servicemen who attended her shows. Meanwhile, a piano tuner works on her white baby grand—a wedding present given to Lila by her husband—which she has not played in the 15 years since he died. The tale flips back to the late 1930s with Lila, who has adopted the stage name Lila Grand, beginning her career in the chorus of a Broadway musical. Lila finds herself pregnant by Joe Prince, a fellow cast member who, pursuing his career, leaves her to raise her child alone. Two months after giving birth to Gloria, Lila is back on Broadway and becomes something of a minor celebrity. She meets and falls in love with Willie Burke, a wealthy New Yorker whose family owns a construction business. The Burke family is appalled by the fact the Willie intends to marry a single mother. Lila is told by Willie that Gloria won’t be living with them. Lila reluctantly gives her child to her brother and sister-in-law to raise as their own in St. Louis. But a harrowing legal battle and emotional turmoil ensue when Willie discovers that he is infertile and asks Lila to take the now-8-year-old Gloria back as their own. Bachner (Last Clear Chance, 2015) is capable of writing deeply moving passages, including describing a mother’s love for her young daughter. Early in the story, Lila and her baby daughter share this tender moment on the street: “Lila started the kissing game, quickly kissing Gloria in one corner of her face and then another while Gloria tried to catch her with her hands. This time Gloria was successful, and the chubby fingers grasped Lila’s nose for a moment. They both laughed.” Such episodes make Lila’s decision concerning her daughter—agreeing to give up Gloria so readily—deeply implausible. At first, Lila balks at the suggestion, reacting violently, but she’s later persuaded. Besides Lila’s precocious love for Willie and some sketchy advice from a priest referencing Moses, the author does not provide a sufficiently persuasive set of motives for this abrupt reversal. Bachner’s previous novel was criticized for its prolixity—his second offering has a better pace, and his observations are crisper and more condensed. Describing Lila in old age, he writes: “This is her final stage: an elegant, flightless butterfly, subsisting without nourishment or effort as her one day’s sun completes its circuit.” Yet the tale hinges on a scene that the author struggles to make believable—and this proves to be a major flaw. This is an elegantly written book weakened by a storyline most readers will question.

A stylishly structured and poetically described family tale hampered by an improbable key moment.

Pub Date: July 11, 2019

ISBN: 978-1-68433-302-8

Page Count: 253

Publisher: Black Rose Writing

Review Posted Online: June 7, 2019

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview