WAKING UP SCREAMING FROM THE AMERICAN DREAM

A ROVING REPORTER'S DISPATCHES FROM THE BUMPY ROAD TO SUCCESS

According to NPR commentator Garfield, the American Dream is less about white picket fences and two cars in the garage and far more about ``the pursuit of happiness.'' As the humorist proves, the pursuit, while often noble, is just as often fruitless. Garfield divides his book into four parts, including the quest for ``world-changing'' ideas; get-rich-quick schemes; his trials and tribulations in pursuit of the American Dream; and a selection of his radio commentaries. Although he may be best known for his droll sense of humor, the tales in this book are not, as Garfield himself points out, always meant to evoke laughter. There is, for instance, the story of cosmetics entrepreneur Jan Stuart, who, after initial success in the industry, launched a hunger strike to protest the way in which big business squeezed him out. Similarly, the piece entitled ``A Whorehouse Christmas''—about legal prostitution in Nevada—ends with the lament of a 21-year-old hooker wondering aloud why God put her on earth. At times, Garfield can be glib to the point of offensiveness, as in his story about Charles Wixom, of the Institute of Food Technologies, a frozen-food development company, who has the misfortune of having to compete with the genocide in Yugoslavia for attendees to his news conferences. Ultimately, the problems with the book are those that afflict many such collections: a lack of continuity, combined with a poorly defined overall concept. Garfield is best when writing about himself, and the book is partly redeemed by the section on his own pursuits, which contains essays on tourism, house and car shopping, and hunting, all in a Dave Barryish vein.

Pub Date: June 6, 1997

ISBN: 0-684-83218-6

Page Count: 320

Publisher: Scribner

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1997

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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