by Bob Graham ; illustrated by Bob Graham ‧ RELEASE DATE: Sept. 22, 2015
It’s great to be able to count on something; readers can count on both the sun and Graham.
The sun takes readers on a world tour as it makes its way to each new dawning horizon.
It is dark when Coco crawls into bed for the night, but the sun is getting busy elsewhere. It greets polar bear cubs and a fishing vessel in the cold northern waters. It reflects off a whale’s eye and the bell of the paperboy’s bicycle. It lights the way through a Siberian forest, heats a yurt, crawls down an alley in China, “and waited patiently outside an old lady’s window to be let in.” The sun sparks a rainbow and dazzles a puddle. Then, sure as the world turns, it crawls in through Coco’s window, joins the family for breakfast, and after “such a dash, the sun had time on its hands. So did Coco! So did Coco’s friends!” Graham brings a little sentiment to the procession but only enough to light sympathy for all the characters on parade. The drawings are deftly unfussy, with an easy command of the watercolors. Their deliberate pacing recalls Mitsumasa Anno, and in their grand compass they are like a big, Whitmanesque hug. The story ends with a bird’s-eye view of a factory town, a shaft of sunlight slicing down to Coco’s yard and a new snow having fallen, with hoses and lawn mowers caught by surprise.
It’s great to be able to count on something; readers can count on both the sun and Graham. (Picture book. 4-6)Pub Date: Sept. 22, 2015
ISBN: 978-0-7636-8109-8
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
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by Bob Graham ; illustrated by Bob Graham
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by Bob Graham ; illustrated by Bob Graham
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by Bob Graham ; illustrated by Bob Graham
by Peter H. Reynolds & illustrated by Peter H. Reynolds ‧ RELEASE DATE: Aug. 28, 2012
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a...
Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).
Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-2345-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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by Marc Colagiovanni ; illustrated by Peter H. Reynolds
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by Peter H. Reynolds & Henry Rocket Reynolds ; illustrated by Peter H. Reynolds
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by Susan Verde ; illustrated by Peter H. Reynolds
by Floyd Cooper ; illustrated by Floyd Cooper ‧ RELEASE DATE: June 13, 2013
A quiet, warm look at the bond between grandfather and grandson.
After a visit, an African-American grandfather and grandson say farewell under a big yellow moon. Granpa tells Max it is the same moon he will see when he gets home.
This gently told story uses Max’s fascination with the moon’s ability to “tag along” where his family’s car goes as a metaphor for his grandfather’s constant love. Separating the two relatives is “a swervy-curvy road” that travels up and down hills, over a bridge, “past a field of sleeping cows,” around a small town and through a tunnel. No matter where Max travels, the moon is always there, waiting around a curve or peeking through the trees. But then “[d]ark clouds tumbled across the night sky.” No stars, no nightingales and no moon are to be found. Max frets: “Granpa said it would always shine for me.” Disappointed, Max climbs into bed, missing both the moon and his granpa. In a dramatic double-page spread, readers see Max’s excitement as “[s]lowly, very slowly, Max’s bedroom began to fill with a soft yellow glow.” Cooper uses his signature style to illustrate both the landscape—sometimes viewed from the car windows or reflected in the vehicle’s mirror—and the expressive faces of his characters. Coupled with the story’s lyrical text, this is a lovely mood piece.
A quiet, warm look at the bond between grandfather and grandson. (Picture book. 4-6)Pub Date: June 13, 2013
ISBN: 978-0-399-23342-5
Page Count: 32
Publisher: Philomel
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
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More by Leah Henderson
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by Leah Henderson ; illustrated by Floyd Cooper
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by Carole Boston Weatherford ; illustrated by Floyd Cooper
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by Louisa Jaggar & Shari Becker ; illustrated by Floyd Cooper
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