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THE PERFECTION OF VALOR

A poignant tale of recrimination and forgiveness.

A man on the cusp of marriage to a woman of a mixed racial background struggles with his father’s bigotry and history in this novel. 

Cary Hinton meets Cornelia Barber at Centenary College, where he teaches English literature, and eight months later they’re about to be married. On the day of their wedding, Cornelia is set to finally meet her new parents-in-law, but Cary anxiously frets about his father’s reaction to his fiancee’s mixed background: She’s a blend of Portuguese, Irish, Vietnamese, and African-American, and Cary’s father, Fletcher, is an unrepentant racist. Fletcher was once a highly decorated colonel in the Marines, but now he languishes in diminished form in a nursing home, addled with dementia but imperiously intimidating as ever. The meeting between Cornelia and Fletcher is predictably disastrous—he is monstrously insulting, an experience that dredges up both Cary’s old resentments and long-harbored guilt. Fletcher was a merciless martinet as a father and subjected Cary to withering discipline and criticism. Fletcher beat him badly once his abuse was discovered, an episode that forced the colonel into ignominious retirement. Cary joined the military as well—he was also a Marine and served in Beirut with distinction—but left with conflicted emotions, much to his father’s angrily expressed disappointment. Meanwhile, Fletcher is at the center of a controversy in the nursing home—he’s accused of striking his wife, Betsy, now frail in the wake of a stroke. Mustin (The One, 2018, etc.) paints a nuanced picture of racism that’s rich with layers—Fletcher served in Vietnam, only exacerbating the conflict with Cornelia, and Betsy actually has an Indian heritage. The author’s writing can be elegant, even poetic, and artfully captures the tenderness beneath Fletcher’s cantankerous surface: “He felt her hand on his forehead. Then he breathed deeply and found what he’d been seeking, the abyss of darkness beyond dreaming.” The novel’s ending may seem too neatly packaged for some, a trite conclusion incongruent with the complexity that precedes it. Otherwise, this is an intelligent story, carefully crafted.

A poignant tale of recrimination and forgiveness.

Pub Date: March 1, 2018

ISBN: 978-1-64255-688-9

Page Count: 208

Publisher: Gridley Fires Books

Review Posted Online: May 10, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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