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WHAT'S YOUR FAVORITE FAVORITE?

From the Ballet Cat series

While not the funniest addition to the series or to the genre, this latest outing should please fans of Ballet Cat.

The feline dancer returns for a new adventure, in which cousins vie for the affection of their grandmother.

Ballet Cat is busily and happily preparing a show for Grandma featuring her dramatic moves. Cousin Goat then shows up carrying a box labeled “The Great Goatini” and puts a damper on Ballet Cat’s proceedings by readying a magic show. “Magic is Grandma’s favorite.” Goat demonstrates two (very obvious) tricks for Ballet Cat, who, in turn, shows off her repertoire. Grandma (a white, bespectacled dog with black ears) arrives and is tucked into a chair and served “those dry cookies old people like.” Tricks and dance steps follow, but the audience is sound asleep. Awakened, she attests that both shows were the best, but her “FAVORITE favorite” is a choice that many young readers will find both tastefully agreeable and tasty. Shea once again places the short, snappy, and repetitive dialogue in color-coded and shaped speech bubbles (blue oblongs for Goat, and pink ovals for Ballet Cat). His characters are digitized shapes outlined in swirls of black and set on backgrounds of bright, solid colors. Ballet Cat’s ballet steps are limited—but not her enthusiasm. Goat is a lively and ultimately likable character.

While not the funniest addition to the series or to the genre, this latest outing should please fans of Ballet Cat. (Early reader. 4-8)

Pub Date: Feb. 7, 2017

ISBN: 978-1-4847-7809-8

Page Count: 56

Publisher: Disney-Hyperion

Review Posted Online: Dec. 5, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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