An unnamed little girl describes her very pleasant life, which is full of nice activities yet still empty due to her unfulfilled longing for a dog. The girl cycles through her hobbies and outdoor play in different locations and seasons, with illustrations in full color, before she shifts into imaginary mode with a dog of her own. These pages show what she would do with her longed-for pet, with the illustrations in moody shades of blue to indicate her day-dreaming state. The last two spreads revert to full-color and reality as the girl is presented with the dog of her dreams by her doting parents. Why the girl receives the dog is not clear, so the conclusion falls a little flat while being completely predictable. The girl comes across as spoiled with her dog-mania, and her failure to solve the central plot issue on her own does nothing to develop her character. Manning’s watercolor illustrations provide a distinct personality and genuine emotions for the girl as well as a perky canine companion, but they cannot save the narrative as a whole. (Picture book. 5-8)
Pub Date: March 1, 2010
ISBN: 978-0-525-47858-4
Page Count: 32
Publisher: Dutton
Review Posted Online: Dec. 28, 2010
Kirkus Reviews Issue: March 1, 2010
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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