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SPY BY NIGHT

THE TEENAGE DETECTIVES ADVENTURE SERIES

A spy thriller that delivers appealing protagonists and a dash of suspense.

Two teen detectives collaborate to stop a group of Russian smugglers from destroying the United States’ access to the internet in this debut novel.

Dalton Frazer’s last summer before eighth grade is full of everything a boy could want—late nights of video games, plenty of skateboarding, and lots of time spent with his grandpa, fishing on Gramps’ boat. But when Gramps is hijacked at seas, and his passenger, a Coast Guard scuba diver, disappears, Dalton finds himself in the middle of an investigation into a Russian smuggling ring being conducted by the CIA, Navy, and FBI. Determined to find out why his grandfather was hurt, Dalton is joined by his whip-smart black Labrador, Alfred, and his baseball-loving friend since first grade—and current crush—the tomboyish Maddy. They don dark clothing and leave behind the sleepy California sun of San Salina’s days for its moonlit nights, spying on the schemes of dangerous, armed men with thick accents and sinister intentions. But neither realizes just how serious the threat is, as these smugglers aren’t moving drugs or guns, but dangerous microchips intended to destroy the American economy by attacking the country’s internet access, forcing a Coast Guard-trained dolphin to risk its life to deliver the goods. DePaul’s first installment of a series offers a nice gateway for tweens and younger teens looking for age-appropriate spy fiction, peppering in mild thrills and chase scenes with slapstick comedy and intriguing set pieces from modern Coast Guard ships and the rescue and surveillance dolphin. The protagonists are clever, polite, and resourceful, respectful of their elders but unwilling to turn their backs on those in need, be they man or beast, even if it means risking their safety on their summer break. The plot is pretty thin, and even younger readers, especially more tech-savvy ones (and most kids are nowadays), will likely find the smugglers’ endgame a little silly. But it all makes for a fine excuse to fight Russian miscreants with baseball, skateboarding, and teen ingenuity.

A spy thriller that delivers appealing protagonists and a dash of suspense.

Pub Date: Oct. 21, 2016

ISBN: 978-0-9982475-1-9

Page Count: 172

Publisher: N/A

Review Posted Online: Jan. 13, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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