Useful for hosts looking for party lines, but no match for Ethan Mordden’s All That Glittered: The Golden Age of Drama on...
The fabulous invalid (Broadway) is also, apparently, the horny invalid.
The curtain is barely up on this history of the Great White Way when Hadleigh (Celebrity Diss and Tell, 2005, etc.) notes that actor-director-choreographer Bob Fosse was sexually insatiable. Hadleigh puts a sexual spin on the adage that you can’t tell the players without a scorecard by homing in on who slept with whom and who was/is bi-, gay or straight. As to how Topic A shaped what happens onstage, Hadleigh suggests homophobia shaded the plays and reputation of Tennessee Williams and helped destroy playwright William Inge. But Hadleigh terms his history “selective…and non-chronological,” its aim to entertain. So his history soon heads to diverting topics such as dueling divas Mary Martin and Carol Channing and the history of Gypsy, punctuated by frequent blasts from Ethel Merman. But even the most devoted theater buffs will wonder if Lucille Ball’s Broadway flop Wildcat deserves an entire chapter, especially since much of what turns up has already turned up elsewhere. Sources of specific stories remain unclear. Many anecdotes come from books Hadleigh cites in an extensive bibliography and, apparently, from the showbiz scribe’s own interviews. Some reported events sound suspiciously like stunts devised by desperate press agents. One such tale finds Tommy Tune coming up from the audience to dance with Josephine Baker onstage at the Palace Theater. (Tune claims the moment effectively ended his imminent film career.) Hadleigh builds entire chapters on just quotes, scattering them one after the other like ticket stubs in the West Forties. Many of these quips have been making the rounds of parties for years. The final two chapter titles, “Rumors” and “Broadway Babble On,” sum up the effort.
Useful for hosts looking for party lines, but no match for Ethan Mordden’s All That Glittered: The Golden Age of Drama on Broadway, 1919-1959 (2007).Pub Date: Sept. 1, 2007
ISBN: 978-0-8230-8830-0
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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