This absorbing tale deftly brings to life momentous military events of the 13th century.
This third installment of a historical fiction series focuses on Mamluk warriors.
Graft follows up his previous book, A Lion's Share(2019), with another narrative based on highly trained, enslaved soldiers known as Mamluks. It is the year 1257 when the Sultan of Egypt is murdered in his bath. It does not take long for Cenk, a Mamluk from the preceding two installments with a penchant for koumis (fermented mare’s milk), to dispense with the culprits. But what does the future hold for Egypt? Things are tense throughout the region. This is especially true thanks to a threat from the East. Mongol forces are on the warpath; their destruction of Baghdad is ruthless and quick. Those who hope to withstand one of their invasions will need more than luck on their side. It’s a good thing Egypt has men like Leander. Leander, a Mamluk who defected from the French years ago, is on a scouting mission. What he sees is not encouraging: The Mongols’ weaponry is advanced and their numbers are immense. To further complicate matters for Leander, a spy is looking for him. Meanwhile, an accomplished Kipchak craftswoman named Esel embarks on her own path of survival. Esel seeks to escape the life of an enslaved person to help a nephew she has not seen in years. Early portions of the narrative that focus on Esel can move slowly. Readers come to understand all about how (and why) Esel is so good at making bows. They also learn how important bows are when one lives in a harsh steppe environment. Wolves eating your livestock? Better have some well-made weapons at your disposal. Nevertheless, the story kicks into a higher gear when attention turns to the Mongols. Even if some of the political maneuvering and alliances can be complicated, readers learn a lot about the opponents approaching the Mamluks. From wielding mangonels and 12-foot lances fitted with hooks to displaying a fondness for systematically destroying local structures (and subsequently catapulting the debris), a fierce group that is too often generalized as a faceless horde is skillfully illuminated. When a battle approaches, even the horses “snort their realization of what soon comes.”
This absorbing tale deftly brings to life momentous military events of the 13th century.Pub Date: Oct. 25, 2021
ISBN: 978-1-950154-71-5
Page Count: 552
Publisher: The Sager Group LLC
Review Posted Online: Nov. 11, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
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