A barely serviceable introduction with far more child appeal than substance.
Following introductions to Amelia Earhart and Abraham Lincoln, this third title in the set introduces an iconic figure in the civil rights movement.
In a straightforward fictionalized narration, Parks tells her story. She gives examples of segregation and bullying in her early life, describes the incident that led to her work for the NAACP and the resistance that led to the Montgomery Bus Boycott of 1955-56. “The only tired I was, was tired of giving in,” she remarks. The book makes a point of contrasting her small size with her great determination. In the cartoon illustrations, Parks has the round head of Charlie Brown; sometimes she even shares his rueful expression. As with other heroes in the series, she remains child-sized throughout the book, which has the effect of infantilizing her. In one particularly unfortunate illustration, she and an equally child-sized Martin Luther King have an imagined conversation, depicted in speech bubbles, in front of an integrated classroom full of students prayerfully reciting the Pledge of Allegiance. The small, square format seems designed for young hands, and the approach may be most appropriate for preschoolers. The thriller-writer–turned–author-for-children has provided no documentation, sourcing or suggestions for further exploration of this history, but two pages of photographs (not seen) follow the account.
A barely serviceable introduction with far more child appeal than substance. (Picture book/biography. 3-7)Pub Date: June 17, 2014
ISBN: 978-0-8037-40853
Page Count: 40
Publisher: Dial Books
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: May 15, 2014
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)
“There’s nothing I can’t be,” young Maya thinks, and then shows, in this profile for newly independent readers, imported from Spain.
The inspirational message is conveyed through a fine skein of biographical details. It begins with her birth in St. Louis and the prejudice she experienced growing up in a small Arkansas town and closes with her reading of a poem “about her favorite thing: hope” at Bill Clinton’s presidential inauguration. In between, it mentions the (unspecified) “attack” by her mother’s boyfriend and subsequent elective muteness she experienced as a child, as well as some of the varied pursuits that preceded her eventual decision to become a writer. Kaiser goes on in a closing spread to recap Angelou’s life and career, with dates, beneath a quartet of portrait photos. Salaberria’s simple illustrations, filled with brown-skinned figures, are more idealized than photorealistic, but, though only in the cover image do they make direct contact with readers’, Angelou’s huge eyes are an effective focal point in each scene. The message is similar in the co-published Amelia Earhart, written by Ma Isabel Sánchez Vegara (and also translated by Pitt), but the pictures are more fanciful as illustrator Mariadiamantes endows the aviator with a mane of incandescent orange hair and sends her flying westward (in contradiction of the text and history) on her final around-the-world flight.
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)Pub Date: July 1, 2016
ISBN: 978-1-84780-889-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Another pointless entry in a series intended to inspire more than inform.
The brilliant 20th-century scientist exhorts readers to keep asking questions.
Meltzer presents Einstein from birth through childhood and adulthood as one who always thought carefully before speaking and loved his head of hair. Apparently, one of the white-haired, mustachioed tot’s first sentences was: “My hair is so AWESOME!” As a young boy, he decides to figure out “Why did the universe behave the way it did?” From there, it is a fast trip to playing the violin, studying math and the famous equation E=mc2, which is not well-explained in the text. Of far greater importance is the exhortation that readers should value curiosity, difference and learning—all of which could lead to inspiration. There is no backmatter and no sourcing for a concluding quotation, but two pages of photographs are credited. The author provides no additional biographical information about Einstein’s incredibly multifaceted life. Eliopoulos’ digitally rendered cartoon illustrations are caricature more than representation. As in previous titles in the series, Einstein has a large, round head; his is adorned with the scientist’s signature mop of white hair and full mustache from birth. It is an oxymoron to include his life in a series about “ordinary people.”
Another pointless entry in a series intended to inspire more than inform. (Picture book. 3-6)Pub Date: Sept. 16, 2014
ISBN: 978-0-8037-4084-6
Page Count: 40
Publisher: Dial Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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