A conspiracy story buoyed by childlike weirdness and heart.
This surreal fantasy finds a woman legally bound to a short, hairy man of unknown origin.
Ella Pearson lives in the City, though she’d love nothing more than to farm or roam the beach. She’s a marketing executive, dating a kind (if oblivious) man named Andy, whose young daughter, Clara, loves to tinker with broken appliances. One night, having decided to break up with Andy, Ella returns to their apartment to find someone in Clara’s room. The intruder is “exceptionally hairy, but so diminutive, with pudgy cheeks, as though he were equal parts chipmunk and man.” Ella wonders if her prescription of Represitol hasn’t triggered hallucinations or paranoia but calls the police anyway. When it’s revealed that Clara let the caveman inside the apartment, the police tell Ella that his removal is now a task for Social Services. Meanwhile, someone has vandalized the Temple of the First Assembly, and Ella’s firm, CCI, helps with the church’s response. When Ella’s boss, Warner, notices her exhaustion, he suggests a vacation to East Gish, her hometown. Later, she finds a picture of a childhood friend, Timmy Crace, and wonders why she barely recalls him. In his absurd, endearing tale, Rau (The Ghost, Josephine, 2015) pokes fun at religion, officialdom, and parenthood while examining life’s larger questions. His vicious sense of humor, clearly not intended to please everyone, is incisive, as when churchgoers fill the pews “with the rote order of overfed livestock.” The author’s dedication to portraying bureaucracy as inane is commendable, to the point where the reader wishes Ella would just slap Agent Sickens from the Office of Sentient Affairs (“Ms. Pearson, if that’s what the file says, then that’s where you live”). As a nightmarish plot surrounds Ella, she learns to detest the caveman (eventually named Ernie) less and less. Rau succeeds in drawing readers into his woolly world, but the audience will need patience while the narrative gropes for a stopping point.
A conspiracy story buoyed by childlike weirdness and heart.Pub Date: Sept. 15, 2017
ISBN: 978-0-692-88431-7
Page Count: 435
Publisher: SmallPub
Review Posted Online: Aug. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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