A well-written portrait of a person whose rich inner life outstrips the limits of her body.
A woman born in rural Mississippi with a life-altering birth defect must learn to live on her own terms.
Western writer Watson (The Heaven of Mercury, 2002, etc.) composes a lyrical portrait of a woman based on his great-aunt, who was the subject of plenty of rumors in her own life. His fictional subject is Jane Chisolm, an otherwise normal child born with vaginal agenesis, a condition in which her sexual anatomy fails to develop. Because this is in the early years of the 20th century amid the poverty of rural Mississippi, there’s little to be done to improve the child’s condition. Her father is a drunk and her mother emotionally absent, so Jane is largely left in the care of her tomboy sister, Grace. Because her condition causes incontinence, Jane is isolated for much of her childhood. The only person who comes to truly care about her is her doctor, Eldred Thompson, who believes that Miss Jane Chisolm is special indeed. “Just as the way you are denies you some things, it also gives you license that others may not have,” he tells her. “In my opinion you live on a higher moral ground. I mean to say you are a good person.” Watson’s writing is dry as kindling, but in reducing his aunt’s story to its most primary elements, the author also captures the simple things that bring his character joy—the delight she experiences at a community dance or a picnic with the kindly doctor are all tiny moments of tenderness in a life largely marked by isolation. If the novel has a flaw, it’s a lack of traditional drama. Jane approaches life with quiet determination, so her acceptance of her own limitations ultimately becomes a strength and not a weakness.
A well-written portrait of a person whose rich inner life outstrips the limits of her body.Pub Date: July 12, 2016
ISBN: 978-0-393-24173-0
Page Count: 288
Publisher: Norton
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
Steinbeck is a genius and an original.
Steinbeck refuses to allow himself to be pigeonholed.
This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.Pub Date: Feb. 26, 1936
ISBN: 0140177396
Page Count: 83
Publisher: Covici, Friede
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1936
IN THE NEWS
SEEN & HEARD
A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
PERSPECTIVES
IN THE NEWS
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