Flower-calendar quibble aside, an optimistic, upbeat story.
Event coordinator Daisy must find a theme for the Blossom Bash that will please everyone.
While the current abundance of rain will benefit the flowers, it also poses a challenge: The accelerated, early bloom gives them less time than usual to prepare. Each fairy suggests their own flower or color to decorate Sugar Oak, putting Daisy in the unenviable role of being the deciding vote. (Gardeners will note the flowers listed are not all early spring blooms.) In the meantime, Daisy checks on other fairies’ preparations, troubleshooting their problems (from food and music decisions to recommending honey for seasonal allergies). Indigo’s garlands of materials from all over the forest inspire Daisy to go for an eclectic theme, allowing each fairy to decorate part of Sugar Oak however they wish. The full effect of the assortment, as well as the acceptance of an earlier than optimal bloom, is summed up by Daisy and stands as the story’s theme: “We all know we can’t control nature. We can only appreciate all that it gives us. And that’s what this celebration is really about!” In Kurilla’s frequent, full-color illustrations, Daisy is depicted with brown skin and blonde curls, and other fairies have skin and hair of all the colors of the rainbow; one fairy in the primary cast is male. Information about honey follows the story, as do a recipe, a dramatis personae, and some games.
Flower-calendar quibble aside, an optimistic, upbeat story. (Fantasy. 6-8)Pub Date: May 8, 2018
ISBN: 978-1-63565-132-4
Page Count: 96
Publisher: Rodale Kids
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
Amusing but a little off tempo.
It’s important to hit all the right notes.
A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)
Amusing but a little off tempo. (glossary) (Picture book. 6-8)Pub Date: March 14, 2023
ISBN: 978-1-64567-631-7
Page Count: 32
Publisher: Page Street
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
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