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STEELHEART

From the Steelheart series , Vol. 1

There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s...

A straight-up Marvel Comics–style action drama featuring a small band of human assassins taking on costumed, superpowered supervillains with melodramatic monikers.

It’s certainly a tried-and-true formula. Twelve years ago, a mysterious Calamity began turning random ordinary humans into evil Epics gifted with various combinations of superpowers (and also, always, some Achilles heel). Now, 18-year-old David Charleston manages at last to make contact with a cell of Epic-killing Reckoners led by legendary mastermind Jon Phaedrus. Then it’s on to a nonstop thrill ride that begins with the killing of David’s father 10 years before and roars through car and motorcycle chases, secret missions, huge explosions and hails of gunfire with high-tech weaponry to a climactic battle with Epic Steelheart. He’s bulletproof, shoots energy balls, has transformed the entire Chicago area into solid steel with a wave of his hand and wears a stylish silver cape. Shockingly, the book closes with the stunning revelation than not all Epics are evil through and through. As further sign that Sanderson (Rithmatist, 2013, etc.) isn’t taking any of this too seriously, the cast of Epics includes not only the likes of Steelheart, Faultline and Deathpoint, but Pink Pinkness and El Brass Bullish Dude, and some of their powers are equally silly. Stay tuned for sequels.

There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s missing are the pictures. (Fantasy. 11-14)

Pub Date: Sept. 24, 2013

ISBN: 978-0-385-74356-3

Page Count: 400

Publisher: Delacorte

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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BAMBOO PEOPLE

Well-educated American boys from privileged families have abundant options for college and career. For Chiko, their Burmese counterpart, there are no good choices. There is never enough to eat, and his family lives in constant fear of the military regime that has imprisoned Chiko’s physician father. Soon Chiko is commandeered by the army, trained to hunt down members of the Karenni ethnic minority. Tai, another “recruit,” uses his streetwise survival skills to help them both survive. Meanwhile, Tu Reh, a Karenni youth whose village was torched by the Burmese Army, has been chosen for his first military mission in his people’s resistance movement. How the boys meet and what comes of it is the crux of this multi-voiced novel. While Perkins doesn’t sugarcoat her subject—coming of age in a brutal, fascistic society—this is a gentle story with a lot of heart, suitable for younger readers than the subject matter might suggest. It answers the question, “What is it like to be a child soldier?” clearly, but with hope. (author’s note, historical note) (Fiction. 11-14)

Pub Date: July 1, 2010

ISBN: 978-1-58089-328-2

Page Count: 288

Publisher: Charlesbridge

Review Posted Online: May 31, 2010

Kirkus Reviews Issue: June 15, 2010

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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