This twisty thriller sows the seeds of an engrossing dystopian saga.
In a post-apocalyptic world, some stragglers must find out what they are made of in this series opener.
When Brian Rhodes and his cousin Steven Driscoll emerge from their hiding place, it’s been two years since a deadly virus spread across the globe, eradicating most of the inhabitants. Brian and Steven are two of the lucky ones. Their uncle, a high-ranking American government official named Lt. Gen. Albert Driscoll, built them a bunker deep in the South and gave them instructions to reunite with Steven’s sister, Bethany, then journey to an agreed-upon location. In British Columbia, Simon Kalispell is working with a similar plan. The earthy Simon comes from a rich, well-connected family that thought his best bet at survival would be to tough it out in a remote cabin and reunite with the clan later. Each survivor is heading east, where, unbeknown to them, Albert has attempted to create some semblance of a government. But as any good dystopian narrative knows, where there’s weakness, there’s division. While Albert and his men try to restore peace, others believe they require increased militarization to mobilize against the outside world, full of haphazard gangs, cannibals, and sadists struggling to survive. These are the conditions Brian, Steven, and Simon meet as they struggle to make it across country, and their survival depends on making the right choices. Zenner (Whiskey Devils, 2016, etc.) skillfully shows how desperate conditions can force good people to do bad things, and bad people to do even worse deeds. But while Brian, Steven, and Simon are all richly shaded, the secondary characters are not as fully developed. Along the way, Brian collects Bethany and a female friend. The women are vague in characterization (tough and capable in one moment; weepy or shy the next), which leaves their subsequent romantic arcs seeming obligatory and one-dimensional. This kind of indistinct worldbuilding plagues an otherwise promising novel about the limits of humanity in trying times. With more books planned for the series, this may yet be corrected.
This twisty thriller sows the seeds of an engrossing dystopian saga.Pub Date: June 30, 2017
ISBN: 978-0-692-90762-7
Page Count: 444
Publisher: Time Tunnel Media
Review Posted Online: Dec. 11, 2018
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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