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MILLIE'S CHICKENS

An equally sweet companion to Laurie Krebs and Cis’ The Beeman (2008), though young children (and their parents) with a yen...

In a tale with a warm tone and an instructional bent, a suburban child tenderly tends a rooster, a trio of hens and their hatchlings in her backyard.

In verse that suffers due to the overuse of “around” as a rhyming word and end words elsewhere that rhyme only in England (and certain parts of New England), Williams introduces young Millie’s small multibreed flock. She describes the girl’s daily routines, from feeding and cuddling to gathering eggs, and closes with Millie and her mom enjoying a delicious meal of eggs on buttered toast. This is followed by pages of more specific comments on chicken breeds, anatomy and care, plus recipes—just for cooking the aforementioned eggs (Millie’s reasons for keeping a rooster go unexamined). Cis captures the idyllic tone with a small but spacious, neatly kept peaceable kingdom surrounded by a properly high, solid fence. A movable coop and the hopper that Millie fills with corn and grit are the only special items to be seen. Cis’ folk-art style results in occasional inconsistencies from page to page and sometimes-peculiar scale.

An equally sweet companion to Laurie Krebs and Cis’ The Beeman (2008), though young children (and their parents) with a yen to raise poultry for pets or other purposes will be better off with a conventional manual. (Picture book. 6-8)

Pub Date: March 31, 2015

ISBN: 978-1-78285-083-0

Page Count: 40

Publisher: Barefoot Books

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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DEAR BEAST

An effective early chapter book conveyed in a slightly overdone gag.

Epistolary dispatches from the eternal canine/feline feud.

Simon the cat is angry. He had done a good job taking care of his boy, Andy, but now that Andy’s parents are divorced, a dog named Baxter has moved into Andy’s dad’s house. Simon believes that there isn’t enough room in Andy’s life for two furry friends, so he uses the power of the pen to get Baxter to move out. Inventively for the early-chapter-book format, the story is told in letters written back and forth; Simon’s are impeccably spelled on personalized stationery while Baxter’s spelling slowly improves through the letters he scrawls on scraps of paper. A few other animals make appearances—a puffy-lipped goldfish who for some reason punctuates her letter with “Blub…blub…” seems to be the only female character (cued through stereotypical use of eyelashes and red lipstick), and a mustachioed snail ferries the mail to and fro. White-appearing Andy is seen playing with both animals as a visual background to the text, as is his friend Noah (a dark-skinned child who perhaps should not be nicknamed “N Man”). Cat lovers will appreciate Simon’s prickliness while dog aficionados will likely enjoy Baxter’s obtuse enthusiasm, and all readers will learn about the time and patience it takes to overcome conflict and jealousy with someone you dislike.

An effective early chapter book conveyed in a slightly overdone gag. (Fiction. 6-8)

Pub Date: May 12, 2020

ISBN: 978-0-8234-4492-2

Page Count: 80

Publisher: Holiday House

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 3, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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