Rich in its historical Irish backdrop while delivering the genre goods.
A man hoping to make sense of his wife’s death in Ireland winds up in the middle of an Irish Republican Army splinter group’s struggle against British forces in Sullivan’s debut thriller.
U.S. college professor Mick McKenna heads to Belfast, where his photojournalist wife, Sarah, died from a car bomb while on their honeymoon. It’s 1998, and Mick wants to learn more about the ongoing Troubles, which may help him understand the reason for Sarah’s death or perhaps come to terms with it. He stays with distant relatives, nationalists who, like the IRA, support the removal of British rule in Ireland. But it’s an IRA splinter group that Mick has to worry about. Members of the New Republican Brotherhood, who reject the country’s proposed peace plan, hold Mick hostage after he witnesses a murder. His only chance of staying alive, it seems, is to aid the group in a terrorist strike. The author tells two stories. The first is of the Irish-American widower learning about his heritage; the second is a taut thriller. The novel starts slow but builds: Mick’s needs for answers and apparent vengeance for his wife’s murder gradually wane as he garners an appreciation and respect for Ireland’s political circumstances. Once the New Republican Brotherhood enters the story, there are unmistakable villains, and tensions skyrocket when the group sends Mick to New York to extract info for finalizing a sale of surface-to-air missiles. Despite the two narratives, Sullivan clearly has a cohesive tale. FBI Special Agent Cecil Maxwell, for one, is working a case on the gunrunning IRA in the States, which ultimately connects to Mick’s predicament. Mick’s love of Sarah is likewise a persistent theme: the hint of attraction and possible romance between Mick and Jillian Morrissey in Ireland seems to keep Mick focused on his late wife. The final act, in contrast to the beginning’s unhurried pace, practically sprints to the end, while the quiet epilogue is a fine coda.
Rich in its historical Irish backdrop while delivering the genre goods.Pub Date: May 20, 2014
ISBN: 978-1-4959-7064-1
Page Count: 426
Publisher: CreateSpace
Review Posted Online: Aug. 24, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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