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THE VENONA CABLE

Swift, sharp character descriptions and atmospheric evocations of gray, melancholy Moscow and the seedier streets of Los...

Ghelfi (Volk’s Shadow, 2008, etc.) keeps the Cold War hot with the intrigues of various Russian and U.S. agents, double agents and a slate of characters who are seldom what they seem.

Many questions dog Russian Special Forces agent Alexei Volkovoy, or “Volk,” in his third adventure. What is the meaning of the Venona Cable, a decrypted World War II missive he’s acquired that details Churchill and Roosevelt’s discussion about a second front against Germany? Why has Everett Walker, a filmmaker from Hollywood’s golden age, turned up murdered in the Moscow warehouse where Volk produces porn films, steals identities and works for the “General,” an underworld boss? And did Volk’s father Stepan betray Russia by defecting in a plane passing over the Arctic in 1974? Volk gets a chance to ponder the answers when he’s slammed into a Moscow prison, beaten and interrogated on charges of murdering Walker. Volk’s bargaining chip is his obsession with his father’s loyalties. Moscow police and the General also want to know what Stepan was up to in the United States, so they send Volk sprinting after the answer. In a high-octane junket from Albuquerque to Los Angeles, the indefatigable Volk learns that his father was involved in developing an aerial surveillance camera that could see through cloud cover. The special camera may link Stepan to Walker, a cinematographer who produced pro-Soviet documentaries. Walker’s film company was a subsidiary of Lorelei Industries, an aerospace company headed by Gordon Reese, who, like many of those Volk encounters in the States, is as violent and treacherous as anyone working Russia’s underground. Hacking through a thicket of reversals and betrayals, Volk fixes on the overriding question of his father’s nature.

Swift, sharp character descriptions and atmospheric evocations of gray, melancholy Moscow and the seedier streets of Los Angeles add style and color to a delectably complicated plot.

Pub Date: Aug. 1, 2009

ISBN: 978-0-8050-8894-6

Page Count: 336

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2009

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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