by Brent Hull ‧ RELEASE DATE: Aug. 1, 2014
A pleasing, educational look at traditional home construction.
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Hull (Traditional American Rooms, 2003) celebrates the lost art of thoughtful home construction.
We don’t build houses like we used to. The craftsmanship central to generations of construction is largely absent in modern homebuilding, which has become more concerned with creating a mass-produced product at a predetermined price. Hull takes readers through the evolution of our views on home construction: what was once valued, what is valued now, and what things most people don’t ever think about. The book includes explanations of the shifting architectural trends in residences, from Enlightenment-era builders finding inspiration in antiquity to European-style houses in America to Levittown and the rise of production building. He also explains the processes of home design, from fire-safety concerns and framing to theories of ornamentation. He concludes with an “Illustrations and Applications” chapter to guide those who wish to implement what they’ve learned. Yet this book won’t actually tell readers how to build a house; rather, it looks at the way homebuilding was approached (aesthetically, philosophically, commercially) in Europe and America in the last few centuries and how we have arrived at our current homebuilding culture. His argument isn’t based on bleary-eyed nostalgia: it appears that houses really were objectively better in earlier eras, and if people demand as much, they can be better again. This seems like a book for the times: as people become ever more interested in “artisanal” everything, Hull reminds us that the ultimate embodiment of craftsmanship and rustic know-how is a well-built house. A construction veteran of the world of historic restoration, Hull is also a gifted writer of (better than) workmanlike prose. His narrative voice is clean and accessible; a more inspired, lyrical language sometimes arises when he broaches a topic (such as the Derby Summerhouse) that truly excites him. Part call to action, part exploration of technique, the result is a persuasive and enjoyable reminder that our homes are reflections of ourselves. As Hull says, “We need to wonder if building cheap homes doesn’t cause us to become a cheap culture.”
A pleasing, educational look at traditional home construction.Pub Date: Aug. 1, 2014
ISBN: 978-1612541570
Page Count: 160
Publisher: Brown Books Publishing Group
Review Posted Online: March 24, 2015
Kirkus Reviews Issue: April 15, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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