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BLACK SUNRISE

A rousing tale with fine action, engaging villains, and series potential.

Awards & Accolades

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In Godfrey’s debut thriller, a private special ops group on a mission to rescue hostages confronts terrorists who are gunning for a biological weapon.

Californian college student Christie Jensen and her friend Jackie Dawson have been missing for more than 24 hours by the time Christie’s attorney father, Mark Jensen, gets the news. The two young women were enjoying their summer in Denver when they mysteriously vanished. The local police focus on Jackie’s significantly older boyfriend, Robert Sand, who originally reported his girlfriend’s disappearance, but they’re getting nowhere. So Jensen calls the Brecht Group, a private security and threat-assessment company whose owner has a strong tie to the lawyer’s father. Meanwhile, readers know that a man named Arthur Beeman and his accomplice, Antonio Pessoa, abducted the young women at a Denver mall. Arthur is a scientist who’s planning a rather disturbing experiment involving Christie, Jackie, and an oblivious Antonio. Meanwhile, Arthur’s deadly, synthesized virus, code-named “Black Sunrise,” sparks the interest of North Korean terrorists, and they’re willing to pay millions to get their hands on it. Brecht Group operatives, including Roady Kenehan, soon learn that American intelligence agencies have been surveilling Arthur and the North Koreans. The agencies know that two kidnapped young women are alive, but they’re unwilling to mount a rescue that could jeopardize their operation. Roady and others, including military-trained Mark and Robert, are determined to save Christie and Jackie, even if it means going up against deadly foes.  Although Godfrey’s novel definitely has its share of action, there are just as many enthralling scenes of investigation. For example, as Brecht Group operatives look into the young women’s disappearance, they use sophisticated technology, including equipment that recreates the mall abduction by drawing on radio transmissions, among other data. Several characters share similar skills, which make them somewhat less distinct as individuals; Mark and Robert, for example, both have very useful combat training, as does Roady, whom the two eventually join in a gunfight. There’s also a pronounced theme of fatherhood that involves multiple characters; Mark, for example, is a father who gets help from his own dad; most view Robert as a sugar daddy; and aging Albert Brecht, the head of the Brecht Group and “one of the last remaining fathers of the Cold War,” is preparing to pass down his company. The story’s villains, however, are more remarkable and memorable; Antonio is decidedly repugnant, Arthur is highly intelligent but likely psychopathic, and Jimmy Kim, who most often represents the North Koreans, is unusually charming. Overall, Godfrey’s narrative proceeds at a deliberate pace, thanks to hefty but often riveting backstories of several characters. Still, the story boasts a few surprises when it comes to the specifics of Arthur’s experiment and more than one unexpected death. The conclusion provides a thorough and convincing wrap-up, but Godfrey has a sequel planned, which will surely appeal to readers looking for more exciting stories of Brecht Group operatives in peril.

A rousing tale with fine action, engaging villains, and series potential.

Pub Date: June 21, 2019

ISBN: 978-1-08-056084-4

Page Count: 436

Publisher: Time Tunnel Media

Review Posted Online: Aug. 7, 2019

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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