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THE LICK

A messy but entertaining crime caper.

In this debut novel, the appearance of old enemies throws a master thief’s heist into jeopardy.

The unusually named Lesson Day runs a successful crew of thieves. It’s mostly a family affair, including his father, Tha Pope; his brother, Learn; and a couple of trusted associates. They’ve pulled off some big jobs in the past, and Lesson has already earned enough money to move his family into a ritzy suburb outside of Detroit. Now, Lesson has his sights on a haul of truly epic proportions: robbing Walmart on Cyber Monday, right at the end of the busiest shopping weekend of the year. Lesson figures that if they do it right, he and his team can walk away with almost $5 million in cash. Such a score would be enough for the crew to leave the high-stakes world of heists behind. Lesson himself has plans for investing in real estate in Detroit’s revitalized downtown. He has mapped out the whole lick down to the last detail: security systems, armored trucks, time windows. But as Tha Pope warns Lesson, no lick ever goes just as planned. While Lesson and the crew are in mid heist, a giant wrench is thrown into the works when two old foes—Savage Keith and Juman—return to town. They’ve been in exile in Ohio ever since they tried to murder Lesson years ago, but they’ve come home to kidnap the thief’s mother, Rocci, and his wife, Ashanti. Can Lesson pull off the heist, save his family, and keep everyone out of jail? It may prove too tall an order for even him. “You wanna start upgrading,” his father warned him before the heist. “But remember this, Lesson, when you upgrade, no matter if you win or lose, you take the team up with you, or down with you.”

In this series opener, Ali creates a vibrant and surprisingly believable world, full of big personalities and lively exchanges of dialogue. The prose is often on the sloppy side, but the author manages to build tension when he needs to: “There was panic in Tha Pope’s voice. Tha Pope was trying to get Lesson’s attention, but Lesson was silent. He saw the truck still sitting in front of the Wal-Mart, but Lesson, Jameer, and Goob were out of his line of sight, and he didn’t have time to maneuver the drone into a better position. He also didn’t want the Wal-Mart security team to see the drone and become suspicious.” There’s a recursive quality to the writing, and Ali manages to repeat nearly every piece of information a few more times than is necessary. Even so, the book is highly readable, leaning into pulpy archetypes and cinematic flourishes to keep things fun. Lesson is a compelling protagonist even when he is doing and saying unfortunate things, and readers will be happy to follow along and see just how he manages to sort it all out. The novel ends in an intriguing place, followed by sample chapters from the forthcoming sequel.

A messy but entertaining crime caper.

Pub Date: Sept. 15, 2020

ISBN: 978-1-73575-090-3

Page Count: 383

Publisher: Master Plan Publishing

Review Posted Online: Nov. 25, 2020

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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