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KEEPING THE CITY GOING

Essential reading about essential workers that is informative, reassuring, and positive.

An award-winning New York City author/illustrator thanks all the risk-taking essential workers.

In the first days, weeks, and months of the Covid-19 pandemic, life on city streets changed from busy congestion to an eerie quiet. Two children, looking concerned, gaze out from their apartment-house window at a strangely empty scene. Almost the only souls about are delivering food on bikes, hauling flats in supermarkets, or driving buses, trains, and taxis. Sanitation workers, letter carriers, and utility workers continue their work on and under the streets. Firefighters, police officers, and hospital workers are busy. Diverse apartment-house dwellers play their appreciative part, though. Every evening at 7:00 they erupt into a cacophony: noisily cheering, banging pots, and blowing musical instruments. “We are here together.” The narration is in the voice of a very observant child who has not lost their sense of humor, voicing some doubts about a nonessential online purchase. A community spirit shines in the use of we. Floca’s signature illustrations offer meticulously detailed renditions of city buildings and a wide assortment of urban vehicles. Everyone is properly masked. The evening cheers have stopped, but the gratitude has not. The story was first developed as a YouTube video, and here the sound effects are missing, but they can be easily and enthusiastically added by young readers. (This book was reviewed digitally with 10-by-18-inch double-page spreads viewed at 64.9% of actual size.)

Essential reading about essential workers that is informative, reassuring, and positive. (author's note) (Picture book. 4-8)

Pub Date: April 27, 2021

ISBN: 978-1-5344-9377-3

Page Count: 40

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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HONEY, THE DOG WHO SAVED ABE LINCOLN

This heartwarming story of a boy and his beloved dog opens the door for further study of our 16th president.

A slice of Abraham Lincoln’s childhood life is explored through a fictionalized anecdote about his dog Honey.

When 7-year-old Abe rescues a golden-brown dog with a broken leg, he takes the pup home to the Lincolns’ cabin in Knob Creek, Kentucky. Honey follows Abe everywhere, including trailing after his owner into a deep cave. When Abe gets stuck between rocks, Honey goes for help and leads a search party back to the trapped boy for a dramatic rescue. The source for this story was a book incorporating the memories of Abe’s boyhood friend, explained in an author’s note. The well-paced text includes invented dialogue attributed to Abe and his parents. Abe’s older sister, Sarah, is not mentioned in the text and is shown in the illustrations as a little girl younger than Abe. All the characters present white save for one black man in the rescue crew. An oversized format and multiple double-page spreads provide plenty of space for cartoon-style illustrations of the Lincoln cabin, the surrounding countryside, and the spooky cave where Abe was trapped. This story focuses on the incident in the cave and Abe’s rescue; a more complete look at Lincoln’s life is included in an appended timeline and the author’s note, both of which include references to Lincoln’s kindness to animals and to other pets he owned.

This heartwarming story of a boy and his beloved dog opens the door for further study of our 16th president. (Picture book. 4-8)

Pub Date: Jan. 14, 2020

ISBN: 978-0-06-269900-8

Page Count: 40

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Sept. 28, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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SOMETIMES PEOPLE MARCH

Effectively argues that “People are more powerful together.”

Simple, direct statements are paired with watercolor illustrations to highlight some of the rallying causes for organized marches throughout the history of the United States.

The text and art begin with two marches that will reemerge as metaphor later in the book: a long line of ants marching to and from a piece of watermelon, and members of a blue-and-gold–clad marching band following their leader’s baton. As the band recedes on the verso, across the gutter an extremely diverse group of people similar to the crowds marching across the book’s cover advances toward readers on recto. Here the text repeats the book’s title. Next, negative space surrounds a small group of women and children—obviously from an earlier time—holding a protest sign. The text explains that sometimes people march “to resist injustice.” The facing page shows a contemporary family gazing with chagrin at a polluted beach; they will march because they “notice a need for change.” The text continues to offer simple explanations of why people march, eventually moving to other peaceful means of resistance, including signs, boycotts, strikes, sit-ins, and “taking a knee.” Hardship in the form of physical and psychic exhaustion is mentioned, but police and other legally sanctioned violence against protest is not—the general mood is uplifting encouragement to young, potential activists. This timely book combines rudimentary facts about peaceful resistance with art that depicts organized actions from the 19th century through today, and endnotes reveal more specifics about each illustration, including historic figures represented.

Effectively argues that “People are more powerful together.” (Informational picture book. 4-8)

Pub Date: Sept. 1, 2020

ISBN: 978-0-06-299118-8

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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