THE NOSFERATU CONSPIRACY

An alternative history horror novel reimagines the fall of the Romanovs.

In December 1916, members of the Russian imperial family are prisoners in their own palace as the country teeters on the brink of revolution. The empress Alexandra and her son, Alexei, are plagued by a mysterious disease that causes them to crave blood and abhor sunlight. Alexei is visited in his sleep by “the shadow man,” who bids him to kill his father, Czar Nicholas. Meanwhile, an apocalyptic cult called the Khlysts has been appearing in St. Petersburg in growing numbers—and rumor has it that its members include some close to the imperial family. A strannik, or religious pilgrim, named Grigori Rasputin arrives in the city on a train from Bucharest carrying no papers or baggage. He has returned to oversee a venture he began long ago with the kidnapping of Alexandra—a plan of great consequence to Rasputin and his coven of vampires. St. Petersburg coroner Rurik Kozlov is convinced that the murdered bodies passing through his lab are the work of the Sleepwalker, a serial killer operating in Romania two decades earlier, though the local authorities are unwilling to admit as much. Rurik knows that there has been a hunt for evidence of Desmodus draculae—the god of the Khlysts—for years. In Rurik’s quest to stop the evil force, he finds an ally in Prince Felix Yusupov, the loving uncle of Alexei. If they fail, it is not only the Romanovs who will suffer, but all of Russia—and maybe the world. Gage’s prose is well calibrated for this Gothic series opener, blending imperial courtliness with vampire grisliness. “You will see I am a man of truth when your carriage crosses the Liteyny Bridge and continues up Bolshoy Sampsonievskiy,” Rasputin warns two aristocratic sisters upon meeting them. “Far outside of Saint Petersburg there is a cabin in the woods where your murderers await to hack you to bits.” There are a few moments when the book’s violence slides into poor taste, but on the whole, the story is a highly satisfying merging of horror and political milieus, wringing a bit of fun—and a whole lot of blood—out of one of the most chaotic and tragic periods of modern history.

A vigorous and immersive vampire tale set against the twilight of the Romanovs.