Not likely to be much help in an actual library, but the concept that there’s a system may be reassuring.
The Great Library Code is deciphered simplistically and, more problematically, in labored rhyme.
After opening with an introduction to young Melvil Dewey, who “would grow up to make a system / to organize those stacks of books and classify and list ’em,” Cleary conducts a tour from 000 to the 900s. With occasional oversimplifications—“Peek in the 800s, and you’ll have all kinds of sightings / of works in many languages and many types of writings”—he highlights general subjects and a few scansion-fitting specific topics (700s: “Motown, Mozart, Ellington, the Beatles, and the blues, / along with most activities that you might ever choose”). He breaks down call-number structure in a more detailed (prose) closing section and also notes that most (public and school) libraries use different classification schemes for fiction, picture books and biographies. He also at least drops in a mention of online catalogs, if not librarians, as helpful resources. Though the loosely shelved books visible in Lew-Vriethoff’s cartoon illustrations are all fat, generic tomes unrealistically free of titles, jackets and even (despite suggestive streaks of lighter color) spine labels, at least her library scenes bustle with happy patrons of diverse ages and skin tones.
Not likely to be much help in an actual library, but the concept that there’s a system may be reassuring. (basic chart) (Informational picture book. 6-9)Pub Date: Sept. 1, 2012
ISBN: 978-0-7613-6676-8
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s lots to see and do in this big city.
A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.
Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.
There’s lots to see and do in this big city. (Informational novelty. 6-9)Pub Date: April 4, 2017
ISBN: 979-1-02760-079-3
Page Count: 22
Publisher: Twirl/Chronicle
Review Posted Online: May 30, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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