by Brian Steel Wills ‧ RELEASE DATE: June 3, 1992
Wills (History/Georgia Southern Univ.) superbly tells the story of one of the Confederacy's authentic military geniuses, the man who consistently ``got there first with the most men'' and bedeviled the Union armies in the West throughout the Civil War. Unlike other great Civil War generals, Nathan Bedford Forrest (1821-77) had little education and no formal military training. Instead, he was an enterprising frontiersman from the Tennessee and Mississippi backwoods whose many businesses included slave-trading. Wills shows, however, that Forrest was a born leader, one whom the southern code and way of life, with their emphasis on ``violence and honor,'' prepared for a military life. Wills also explains how Forrest, despite his humble origins, used his slave-trading business to become wealthy and to break into the planter class. When Tennessee voted to secede from the Union, Forrest's love of horses prompted him to organize his own cavalry regiment. Wills devotes the bulk of his account to Forrest's remarkable exploits during the Civil War—his daring escape with his command from the trap at Fort Donelson; his ``Streight bluff,'' which convinced Colonel Abel Streight to surrender nearly 1,500 Federals to only 400 Confederates; and his victory over a superior Federal force at Brice's Cross Roads. Wills also recounts the less savory aspects of Forrest's record, including the massacre of black Federal troops at Fort Pillow, and his postwar founding of the KKK. Although Forrest was unable to prevent Union victory in the West, Wills argues that the general was not simply a cavalry raider, but a commander whose battles had strategic importance. Ultimately, Wills concludes, Forrest was a blend of vice and virtue and a product of his times, ``neither the incarnation of evil his detractors have described...nor the paragon of Southern virtue some of his apologists have maintained.'' A well-written and meticulously researched biography that offers a balanced perspective on its controversial subject. (Sixteen pages of halftones—not seen.)
Pub Date: June 3, 1992
ISBN: 0-06-016832-3
Page Count: 480
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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