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IKE'S INCREDIBLE INK

A realistically comical look at artistic process disguised as merry procrastination.

The long and winding—and funny and diverting—road to creative endeavor.

Ike wants to write an incredible story, but first he needs…what does he need? “Maybe he needed to find his favorite pen. And have a long chat with his best friend. And a bit of cleaning was also in order.” Also, clearly, he needs to make his own ink! Shadows are “shifty and mysterious” like ink, so Ike nabs a shadow and safeguards it in a bag. The dark side of the moon is black like ink, so Ike matter-of-factly builds a spaceship to go fetch some. “It’s hard to say what Ike found on the dark side of the moon, because he didn’t bring a flashlight. But whatever he found went in that big bag.” Ingredients procured, he bludgeons, steams and mashes them together using flasks and beakers, a mallet and his own feet. Ike’s a quirky character with spindly limbs and a torso shaped—and sometimes spattering—like an ink blot. In digital collage and, natch, ink, Farley balances textured backgrounds and black splashes (the blender scene is spectacular) with a minimalism that emphasizes Ike’s singular project. Whether he needed the ink for itself or needed its creation as story fodder, Ike’s finally ready to sit down and write.

A realistically comical look at artistic process disguised as merry procrastination. (Picture book. 4-8)

Pub Date: Aug. 6, 2013

ISBN: 978-0-7636-6296-7

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 7, 2013

Kirkus Reviews Issue: June 15, 2013

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THE LOST STONE

From the The Kingdom of Wrenly series , Vol. 1

A gentle adventure that sets the stage for future quests.

A lonely prince gains a friend for a quest to find a missing jewel.

Prince Lucas of Wrenly has everything a boy could possibly want—except a friend. His father has forbidden him to play with the village children for reasons of propriety. Adventure-seeking Lucas acquires peasant clothes to masquerade as a commoner and make friends, but he is caught out. His mother, the queen, persuades the king to allow him one friend: Clara, the daughter of her personal dressmaker. When the queen’s prized emerald pendant goes missing, Lucas and Clara set off to find it. They follow the jewel as it changes hands, interviewing each temporary owner. Their adventure cleverly introduces the series’ world and peoples, taking the children to the fairy island of Primlox, the trolls’ home of Burth, the wizard island of Hobsgrove and finally Mermaid’s Cove. By befriending the mermaids, Lucas and Clara finally recover the jewel. In thanks, the king gives Clara a horse of her own so that she may ride with Lucas on their future adventures. The third-person narration is generally unobtrusive, allowing the characters to take center stage. The charming, medieval-flavored illustrations set the fairy-tale scene and take up enough page space that new and reluctant readers won’t be overwhelmed by text.

 A gentle adventure that sets the stage for future quests. (Fantasy. 5-8)

Pub Date: April 1, 2014

ISBN: 978-1-4424-9691-0

Page Count: 128

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Feb. 11, 2014

Kirkus Reviews Issue: March 1, 2014

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PIRATES DON'T GO TO KINDERGARTEN!

It’s tough to walk the plank and leave beloved captains behind; this may make the transition a little easier.

An imaginative pirate preschooler has a hard time adjusting to a new captain in kindergarten.

Not only is beloved preschool teacher Cap’n Chu not the captain of the kindergarten ship, but it doesn’t even sail the seas—it’s a spaceship! This is too much for pirate Emma to take, and she falls back to reboarding the preschool ship: “Pirates don’t go to kindergarten!” Despite repeated efforts on the parts of Cap’n Chu, new teacher Cap’n Hayes, and a fellow kindergartener, Emma continues to cling to Cap’n Chu until she gets the reassurance she needs that her former teacher will miss her too but will always be available for a visit. With that, space pirate Emma finally reports to her new ship. Kaban’s digital illustrations go to town with the metaphor, depicting school as a mix of reality and imagination: Emma swims, wooden cutlass in her teeth, back to the preschool room. Emma’s portrayed with a peg leg in one picture, and the kindergarten guinea pig’s fur makes it look like it wears an eye patch. Otherwise, the pirate trope is limited to bandannas and striped shirts. Emma presents white; the other students are diverse; Cap’n Chu presents Asian; and Cap’n Hayes has brown skin and white hair. Unfortunately, awkward renderings of her head and face may remind readers of a monkey’s.

It’s tough to walk the plank and leave beloved captains behind; this may make the transition a little easier. (Picture book. 4-8)

Pub Date: Aug. 1, 2019

ISBN: 978-1-5420-9275-3

Page Count: 32

Publisher: Two Lions

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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