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TRICERATOPPOSITE

Timeless of premise but not exactly fresh and, at best, inept of execution.

Justification, or maybe just deserts, for prehistoric or modern young contradictosauruses.

In essence a retread of Stegothesaurus (2018) with an altered setup and a woefully muddled ending, this prehistoric episode pits beleaguered parents against a stubbornly contrary offspring. Since he always says and does the opposite of what Mommy and Daddy Triceratops—identified, in McBeth’s simple cartoon illustrations, respectively by eyelashes and pearls and a necktie—he’s earned the titular moniker. When urged to eat, say, Triceratopposite spits out his dinner leaves; at the hot springs after refusing to get in, he recklessly splashes and dives off rocks until he’s forcibly marched home. That night, as his exhausted parents sleep, he wanders outside and meets a toothy, exaggeratedly humongous T. rex child. A monosyllabic exchange ensues: “Big!” “Little!” “Mean!” “Nice!” “Leave?” “Stay!” “Play?” “Fight!” Out rush the triceraparents, just in time to be horrified by the sight of their offspring engaged in a bit of playful roughhousing. Their shouted “Enemy!” gets the predictable rejoinder “Friend!” and a cozy closing predator-prey hug. “Maybe, in this case, the opposite was better after all.” But a different message is conveyed by the following and final line, in which a hopeful “The Beginning” is crossed out and replaced by an ominous “The End.” If this is an attempt at Jon Klassen–style ambiguity, the illustrator misses it, and readers will too. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 83% of actual size.)

Timeless of premise but not exactly fresh and, at best, inept of execution. (Picture book. 5-7)

Pub Date: April 20, 2021

ISBN: 978-1-250-13489-9

Page Count: 40

Publisher: Henry Holt

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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NANETTE'S BAGUETTE

Laugh-out-loud fun for all.

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Hilarious complications ensue when Nanette’s mom gives her the responsibility of buying the family baguette.

She sets out on her errand and encounters lots of distractions along the way as she meets and greets Georgette, Suzette, Bret with his clarinet, Mr. Barnett and his pet, Antoinette. But she remembers her mission and buys the baguette from Juliette the baker. And oh, it is a wonderful large, warm, aromatic hunk of bread, so Nanette takes a taste and another and more—until there is nothing left. Maybe she needs to take a jet to Tibet. But she faces her mother and finds understanding, tenderness, and a surprise twist. Willems is at his outlandish best with line after line of “ettes” and their absurd rhymes, all the while demonstrating a deep knowledge of children’s thought processes. Nanette and the entire cast of characters are bright green frogs with very large round eyes, heavily outlined in black and clad in eccentric clothing and hats. A highly detailed village constructed of cardboard forms the background for Nanette’s adventures. Her every emotion explodes all over the pages in wildly expressive, colorful vignettes and an eye-popping use of emphatic display type. The endpapers follow the fate of the baguette from fresh and whole to chewed and gone. Demands for encores will surely follow.

Laugh-out-loud fun for all. (Picture book. 3-6)

Pub Date: Oct. 25, 2016

ISBN: 978-1-4847-2286-2

Page Count: 40

Publisher: Hyperion

Review Posted Online: Aug. 1, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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ON THE FIRST DAY OF FIRST GRADE

For places where the first-grade shelves are particularly thin.

The traditional song “The Twelve Days of Christmas” gets a school makeover as readers follow a cheery narrator through the first 12 days of first grade.

“On the first day of first grade / I had fun right away // laughing and learning all day!” In these first two spreads, Jennings shows the child, who has brown skin and a cloud of dark-brown hair, entering the schoolyard with a diverse array of classmates and settling in. In the backgrounds, caregivers, including a woman in hijab, stand at the fence and kids hang things on hooks in the back of the room. Each new day sees the child and their friends enjoying new things, previous days’ activities repeated in the verses each time so that those listening will soon be chiming in. The child helps in the classroom, checks out books from the library, plants seeds, practices telling time and counting money, leads the line, performs in a play, shows off a picture of their pet bunny, and does activities in gym, music, and art classes. The Photoshop-and-watercolor illustrations portray adorable and engaged kids having fun while learning with friends. But while the song and topic are the same, this doesn’t come close to touching either the hysterical visuals or great rhythm of Deborah Lee Rose and Carey Armstong-Ellis’ The Twelve Days of Kindergarten (2003).

For places where the first-grade shelves are particularly thin. (Picture book. 5-7)

Pub Date: June 19, 2018

ISBN: 978-0-06-266851-6

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: June 1, 2018

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