A thrilling, adventure-filled story that captures the anguish of losing a friend.
California teens reunite to chase the memory of a dead friend.
Five years ago, when Nick Cline was only 11-years-old, he accidentally shot and killed 15-year-old Marley Bricket. Olivia Stanton idolized Marley, who was her older sister’s best friend and the leader of their group. In the aftermath of the tragedy, Olivia is even more consumed with thoughts about Marley, carrying her memory everywhere she goes. And after all these years it seems Nick—who has returned to town—feels the same way. The two soon uncover clues Marley has left for them to follow, and they gather the kids of Albany Lane to search for answers, closure, and perhaps even redemption. Olivia is an unreliable narrator and a manipulative individual who appears motivated by a desire to gain the power which Marley once lorded over her friends. Readers will enjoy the romance, dark humor, and bicycle-squad nostalgia as they move through an eerie and dangerous scavenger hunt. The uncertainty and suspense lead to questions of whether what’s unfolding is a ghost story or an elaborate suicide. The well-paced story offers an authentic exploration of grief, but the elaborate deceptions detract from readers’ ability to connect to that experience. Olivia, Nick, and Marley are white; there is diversity in secondary characters who are Latinx, Korean-American, black, and lesbian.
A thrilling, adventure-filled story that captures the anguish of losing a friend. (Fiction. 12-15)Pub Date: June 1, 2019
ISBN: 978-1-4926-7098-8
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: March 6, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
Stronger books may exist about the 1960s, but female friendship tales never go out of style.
For “bad girls,” hell can be a place on Earth.
In Houston in the early ’60s, girls only seem to have two choices: be a good girl and get married or be a bad girl and live your life. Fifteen-year-old Evie, from a working-class White family, became a bad girl after her sister’s shotgun wedding took her away from home. Mexican American neighbor Juanita, who smokes, drinks, wears intense eye makeup, and runs with the tough crowd, takes Evie under her wing, but despite the loyalty of this new sisterhood, Evie often feels uncertain of her place. When a rich girl from the wealthy part of town named Diane saves Evie from assault by killing the attacker, Evie finds a new friend and, through that friendship, discovers her own courage. This work borrows a few recognizable beats from S.E. Hinton’s 1967 classic, The Outsiders—class tensions, friendship, death, and a first-person narrative that frequently employs the word tuff—but with a gender-swapped spin. Overall, the novel would have benefited from a stronger evocation of the setting. During an era of societal upheaval, Evie struggles to reconcile her frustration at the limited roles defined for her and her friends, with many moments of understanding and reflection that will resonate with modern readers’ sensibilities—although sadly she still victim blames herself for the attempted assault.
Stronger books may exist about the 1960s, but female friendship tales never go out of style. (author's note, resources) (Historical fiction. 12-15)Pub Date: Oct. 19, 2021
ISBN: 978-1-250-23258-8
Page Count: 304
Publisher: Roaring Brook Press
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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