Small in size but large in impact, this intimate memoir is a highly relevant and compassionate story of family, community,...
From the daughter of a French mother and Iraqi father comes a touching memoir of childhood in Iraq.
Writing with her husband, Findakly strings together memories and facts from her family’s past and present as well as from Iraqi culture, as if she is sharing herself with readers over tea. She begins with happy childhood moments in Iraq and her school days, her parents’ backgrounds and how they met, and introductions to other family members and neighbors. Especially poignant are the portrayals of her French mother’s successful adjustment to Iraqi society over 23 years and Findakly’s own process of growing apart from Iraqi society after her father decides they should move to France when she is a teenager. Trondheim’s charming cartoon drawings, colored by Findakly, help readers envision the worlds the family straddles, while occasional pages of family photographs remind readers of the author’s historical reality. Readers feel they are getting an inside look into an impenetrable world with cultural and historical notes on pages titled “In Iraq” interspersed throughout the book. This personal portrayal of the impact of war and societal upheaval on one family will help many Western readers to see how the past half-century of conflict has devastated a region rich in ancient culture.
Small in size but large in impact, this intimate memoir is a highly relevant and compassionate story of family, community, prejudice, and the struggle to love when the forces of the world push groups apart. (timeline) (Graphic memoir. 10-adult)Pub Date: Sept. 5, 2017
ISBN: 978-1-77046-293-9
Page Count: 120
Publisher: Drawn & Quarterly
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
All told, a thoughtful—and by no means dumbed-down—approach to events still very current.
A comic book, utterly serious, documenting the attacks of September 11.
The horrendous events of that day may seem an odd choice for comic-panel treatment, but Jacobson and Colón—known to legions of fans for their longtime work at DC and Marvel Comics—are doing an honorable public service by putting the official report in a form that anyone can understand, through words or not. The project is fraught with peril; as drawn, for instance, Ronald Reagan looks more like Leonid Brezhnev than the Gipper, and it must have been daunting to reduce the carefully nonpartisan complexities of the report to a few frames depicting, say, Condoleezza Rice’s failure to grasp the meaning of actions on which she had been fully briefed, to say nothing of the president’s inaction. For all that, the captions pack a lot of punch. Reads one, “Little effort in the legislative branch was made to consider an integrated policy toward terrorism. All committees found themselves swamped in the minutiae of the budget process, with little time for the consideration of longer-term questions.” The point is well-taken, even as Osama bin Laden’s eyes glower from the page. The graphics are meaningful as well, and some of them, such as the depiction of Afghan leader Ahmed Shah Massoud’s last moments, are, well, quite graphic. The book includes the 9/11 Commission’s sober determination that the invasion of Iraq was based on anecdotal evidence at best, as well as its recommendations that since so much of the US infrastructure is in private hands, the government would do well to integrate civilians into emergency planning. The most telling moment here comes at the end, and here the graphic treatment is exactly right: It depicts the Commission’s “report card” on the administration’s response to its findings, with an average grade of D.
All told, a thoughtful—and by no means dumbed-down—approach to events still very current.Pub Date: Sept. 1, 2006
ISBN: 0-8090-5738-7
Page Count: 160
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
BOOK REVIEW
Not for kids, though adult readers should take some pleasure knowing that they’re better off than Matt, at least as depicted...
The cartoonist tests the limits of pathetic self-absorption in a volume that should appeal to his cult following but is unlikely to expand it.
The work of graphic-diarist Matt (Peepshow, 2003) is practically review-proof, for any criticism one could make he has already flagellated upon himself. His obsessive focus remains the life of Matt, though even he questions why anyone else could possibly be interested. He’s geeky (at least within these drawings) even by the standards of his fellow geek-comics, who are the closest thing he has to friends, though they spend most of their time together either criticizing or ridiculing him. During the mid-1990s, as detailed in these panels, he lives in a Toronto flophouse with a shared bathroom (which he generally avoids in favor of a bottle in his bedroom). He’s consumed with his collection of bootleg pornography, which he has painstakingly edited into marathon video anthologies of the “good” parts. He masturbates eight or ten times a day, leaving less time, energy and inspiration (as the title suggests) for the graphic narratives that barely earn him a living. Fortunately, for a man of meager income, he’s notoriously cheap. He laments the girlfriend he lost and wishes he had another, though he’s unsure whether such flesh-and-blood complications would be worth sacrificing his porn collection. On video, he favors submissive Asian women; out the window, he fixates on schoolgirl uniforms and wonders whether he might be a pedophile. Interspersed with ruminations on Matt’s tawdry adult existence are flashbacks to his Pennsylvania boyhood that provide some clues as to how he ended up this way. The spirit of the underground era lives in these comics, which make no attempt at graphic-novel respectability.
Not for kids, though adult readers should take some pleasure knowing that they’re better off than Matt, at least as depicted here.Pub Date: May 1, 2007
ISBN: 978-1-897299-11-1
Page Count: 120
Publisher: Drawn & Quarterly
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2007
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