Published posthumously, this 11th installment in the elegant Fielding series (The Price of Murder, 2003, etc.) was completed...
The inexplicable suicide of a powerful British lord leads Sir John Fielding and Jeremy Proctor to the weird worlds of medical quackery and necromancy.
In 18th-century London, the Lord Chief Justice appeals to jurist and sometime sleuth Sir John Fielding when several witness see the distinguished Lord Lammermoor jump to his death from Westminster Bridge—even though he had no apparent reason to kill himself. Giving Sir John an edge is the secret disclosure of Annie Oakum, a former cook in the Fielding household gone on to thespian fame at the Drury Lane Theatre with David Garrick’s famous troupe. She confesses to wide-eyed Jeremy, the blind Sir John’s eyes, legs, and amanuensis, that she spent the night with Lammermoor, her lover, before his fatal leap. A dispute between the coroner, grim Mr. Trezavant, and the earnest doctor who first examined the body leads to an unsatisfying judgment of suicide, and further probing by Jeremy for Sir John. Sir John is suspicious of secretive Lady Lammermoor, who’s tight with Mr. Goldsworthy, a “progressive” physician who claims he can heal with magnets and magnetized water. Unfortunately, the investigation’s timing couldn’t be worse for Jeremy, whose marriage to his long-time love Clarissa, Lady Fielding’s ward, is imminent.
Published posthumously, this 11th installment in the elegant Fielding series (The Price of Murder, 2003, etc.) was completed by the author’s widow and mystery writer Jack Shannon. Most readers will wish for more.Pub Date: March 3, 2005
ISBN: 0-399-15242-3
Page Count: 286
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2005
An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.
Too much free time leads a New Hampshire bookseller into yet another case of murder.
Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.
An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.Pub Date: Aug. 13, 2019
ISBN: 978-1-9848-0272-9
Page Count: 320
Publisher: Berkley
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.
**Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach. Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express. This is the only name now known for the book. The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.
Pub Date: Feb. 28, 1934
ISBN: 978-0062073495
Page Count: -
Publisher: Dodd, Mead
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Feb. 1, 1934
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