A sensitive depiction of the power of both love and land.
A standoff between a rancher and the government—dead-set on seizing his herd of cattle—spirals dangerously toward a violent confrontation in this debut novel.
For decades, the Bureau of Land Management has been increasing the limits on grazing rights in Nevada, supposedly motivated by issues of environmental protection. Harlan Hale, a rancher all his life with more than a thousand head of cattle, stubbornly refuses to comply, defiantly citing his constitutional rights. Will Bearfoot, who works for the BLM, is ordered by his boss to return to the Midas Range—he grew up there—and convince Harlan to relent before the government is compelled to take more aggressive action. But when Will arrives, the area is a virtual tinderbox of conflict. The supervising BLM agent, Elmer England, died as the result of a chimney fire, though some suspect foul play was at work. A fire is started at the BLM office—a message of warning—and then a BLM official shoots and kills one of Harlan’s bulls, provoking a possible escalation of reprisals. Then a BLM official is jumped by masked men and mercilessly beaten, and Will’s father, Rodney, is badly injured when a bomb explodes in Will’s truck. Meanwhile, Will deals with the awkwardness of his reunion with Jordan, the wife of John Henry, Harlan’s eldest son. They were in love with each other once, but Will was accused and convicted of grand larceny, a felony that ruined their relationship, ended his dream of attending college, and inspired him to skip town. Borgos seamlessly braids several intersecting plotlines into a unified tapestry, artfully capturing the way the traumas of the past intransigently grip the present. The writing is plain and even folksy, allowing the characters to powerfully speak for themselves. Jordan, in particular, emerges as a profoundly complex character, struggling to reconcile her attraction to Will, which comes unbidden but not entirely unwelcome. Finally, this isn’t a proselytizing manifesto for either governmental process or libertarian freedom—Borgos’ portrayals are far too nuanced to fall into the trap of ideological partisanship.
A sensitive depiction of the power of both love and land.Pub Date: May 3, 2016
ISBN: 978-0-9975726-1-2
Page Count: 280
Publisher: CreateSpace
Review Posted Online: Oct. 20, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
