This unusually absorbing book will enthrall Cockburn fans and anyone interested in the life of a serious artist committed to...
The Canadian folk/rock singer-songwriter recalls a nomadic life spent witnessing the social and political crises of our time through song.
Cockburn (b. 1945) proves to be a natural storyteller in this debut, which begins with his shy, lonely childhood growing up in a comfortable Ottawa family and traces his rise as a celebrated guitarist who moved from 1960s coffeehouses to concert halls to such hit recordings as “Wondering Where the Lions Are” (1980) and “If I Had a Rocket Launcher” (1984). Known for his eclectic musical tastes—jazz, rock, blues, reggae, folk, country—he entered the Canadian Music Hall of Fame in 2001. Writing with intelligence and candor, he tells how other artists—from Bob Dylan and Allen Ginsberg to Doris Lessing and Christian/occult author Charles Williams—influenced his thinking and work and sparked his lifelong activism against war, injustice and exploitation. Cockburn reflects at length on his keen interest in Christian mysticism and the “active benevolence” of the Bible, his view of his protest songs as cries of spiritual anguish, and his travels to troubled parts of Central America, Africa and elsewhere, where injustices touched him and turned into songs like “Rocket Launcher,” which he wrote after meeting with survivors of genocide against Mayan people by Guatemalan militias. “What doesn’t kill you makes for songs,” he writes. Long repressed and preferring “a covert life,” Cockburn writes that it took him many years to feel comfortable performing for audiences and to break out of the “bonds of isolation for the infinitely elastic bag of human absurdity.” He recalls his early unsuccessful marriage and subsequent intimate relationships with a series of strong women, including an unidentified “Madame X,” who helped him open up emotionally in the 1990s.
This unusually absorbing book will enthrall Cockburn fans and anyone interested in the life of a serious artist committed to his music and progressive causes.Pub Date: Nov. 4, 2014
ISBN: 978-0061969126
Page Count: 544
Publisher: HarperOne
Review Posted Online: Sept. 27, 2014
Kirkus Reviews Issue: Oct. 15, 2014
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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