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THE KOREAN WAR

A HISTORY

Few conservatives will change their minds, but Cumings makes a convincing case that Korea, not Vietnam, was the first modern...

An eloquent, squirm-inducing account of the war's long background and murderous destruction, which began well before the fighting.

Cumings (History/Univ. of Chicago; Dominion from Sea to Sea: Pacific Ascendancy and American Power, 2009, etc.) dismisses the convention that war was launched in 1950 by Stalin's puppet, Kim Il Sung, and ended in 1953. It began, he maintains, in 1931-32 when Japan invaded Manchuria and, as a civil war, hasn't yet ended. Nearby Korea, a Japanese colony, provided most of the resistance. To suppress these resisters, Japan recruited Koreans willing to collaborate, and many rose to high positions. After Japan's 1945 surrender, Kim's circle organized a government in the Soviet-occupied North. The collaborators moved south and, in 1950, formed nearly all of the command of South Korea's army. Ignorant of Korean hatred of Japan, U.S. forces occupying the South retained the colonial system, appointed collaborators to high positions and imported Syngman Rhee from the United States as leader. Knowing which American buttons to push, Rhee announced that he faced vast communist subversion and proceeded to brutally eliminate opposition. Following the war's outbreak, the American media described numerous civilian massacres as North Korean atrocities. Only recently have historians—and declassified U.S. government papers—made known that South Korea committed most of them. American conservatives regularly denounce Cumings for favoring North Korea, but he is widely honored in South Korea, whose researchers have turned up many of the long-suppressed atrocities he reveals.

Few conservatives will change their minds, but Cumings makes a convincing case that Korea, not Vietnam, was the first modern war America entered abysmally ignorant of what it was getting into.

Pub Date: July 27, 2010

ISBN: 978-0-679-64357-9

Page Count: 288

Publisher: Modern Library

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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