BLOODLINES

Ducker’s sixth novel (And Lead Us Not into Penn Station, 1994, etc.) spins an intensely revealing fable out of today’s headlines in this story of a young American in pursuit of his family’s ties to Swiss bank accounts looted from Holocaust victims. Bereft of his jazz piano gig and his stateside girlfriend, Peter Steinmuller seizes on his name in a Zurich newspaper as the portal to an enchanted world. The Lîwenhoft Handelsbank is seeking depositors or their heirs to claim funds left with the bank during the dark hours of the war 50 years earlier. Once Peter’s filled out the stack of paperwork required to claim the money in his eponymous grandfather’s account, though, he’s amazed to find that the balance, after a series of payments authorized by the trustee, is only a few hundred dollars'less than he owes the lawyer who’s prepared his claim. Assistant bank manager Helene Durren can’t help him track down the trustee, she insists, though she does end up warming his bed. And the trustee, enigmatic business titan Frederic Von Egger, can’t help him either, except to the extent of offering him his friendship, the hospitality of his estate, and what amounts to the original balance in the account (something over $90,000) if only he’ll leave the country for good. Instead of accepting this apparently generous offer, Peter, in the tradition of every self-respecting fairy-tale hero with “no languages, no contacts, no training,” vows to ferret out every last secret of the account, even if it means digging up unsuspected family skeletons and linking his grandfather’s account to an awful lot of other missing money. Arranging to have every door open as if by magic at Peter’s touch, Ducker provides a rising spiral of thrills without the familiar trappings of melodrama in his best novel yet. (Film rights to Doorbell Productions)

Pub Date: Feb. 1, 2000

ISBN: 1-57962-060-4

Page Count: 264

Publisher: Permanent Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 2000

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Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."

WHAT HAPPENS IN PARADISE

Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.

In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.

Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."

Pub Date: Oct. 8, 2019

ISBN: 978-0-316-43557-4

Page Count: 352

Publisher: Little, Brown

Review Posted Online: Aug. 19, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

ELEANOR OLIPHANT IS COMPLETELY FINE

A very funny novel about the survivor of a childhood trauma.

At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

Pub Date: May 9, 2017

ISBN: 978-0-7352-2068-3

Page Count: 336

Publisher: Pamela Dorman/Viking

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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