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HOPE OF AGES PAST

AN EPIC NOVEL OF FAITH, LOVE, AND THE THIRTY YEARS WAR

A gripping novel that effectively captures the predicaments of those caught up in one of history’s bloodiest wars.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2018

Gardner’s debut historical novel, set during the Thirty Years’ War in the 1600s, tells the story of a Lutheran pastor and a Catholic major whose lives are intertwined from boyhood.

The novel opens in 1618 in Prague, the capital of the Kingdom of Bohemia. Sixteen-year-old Peter Erhart and his father, Jakob, the chief accounting officer for the Holy Roman Emperor’s Bohemian Embassy, make their way to a meeting at Hradschin Castle. A group of Bohemian Protestant rebels forces its way into the castle, intent on provoking an uprising by murdering Catholic representatives; the young Peter comes to the aid of Hans Mannheim, a Catholic boy who’s attending the meeting with his father, a baron and chief military adviser. The boys witness the incendiary spark that ignites the Thirty Years’ War—a complex post-Reformation conflict, fought largely between Catholics and Protestants, which resulted in 8 million deaths. After this brief meeting, Peter and Hans are riven apart, but neither forgets the encounter. The novel then revisits them in 1629, when they’re both in their late 20s. Peter is now married and has become an influential, charismatic assistant pastor in Magdeburg, Germany. He’s also caught the eye of Anna Ritter, a feisty peasant girl. Hans, meanwhile, is a cavalry major in the Catholic Imperial Army, planning to besiege and conquer the city where Peter and Anna live. How will Peter and Hans’ fleeting encounter as kids determine the future of Magdeburg? And how will Anna shape their fates? This is a dazzling historical novel in which fictional and real-life historical characters, including Lutheran administrator Christian Wilhelm, intermingle seamlessly. Surprisingly few novels are set during the Thirty Years’ War, which will be obscure to most Americans. Gardner ably breathes life into these characters, though, and part of this talent lies in how he creates realistic, thought-provoking interplay between them all. A tantalizing example is when Peter delivers a sermon and is afterward approved to the cathedral council; Wilhelm observes the sermon, scowling, and later approaches Peter to offer insincere praise: “My compliments to you, young man. Your delivery was thorough and clear, the tone pleasant, and the content was for the most part quite edifying.” He then turns on his heel to leave but checks back, his demeanor changing, and he soon proceeds to critically dismantle Peter’s sermon: “you’re going beyond your station as a pastor when you hint at your personally preferred solutions to complex political issues.” Throughout the novel, Gardner is repeatedly able to accurately reflect subtle shifts in his characters’ emotions—in this case, Wilhelm’s biting capriciousness—by employing elegant, cutting, well-timed dialogue. He combines this with a plot that burns with suspense, intrigue, and passion, bolstered by thorough historical research. The end result is a compelling page-turner that won’t allow readers to rest before they reach the final page. Overall, this is a sharply written offering that’s thrilling and shocking in equal measures.

A gripping novel that effectively captures the predicaments of those caught up in one of history’s bloodiest wars.

Pub Date: June 1, 2018

ISBN: 978-0-9998811-2-5

Page Count: 630

Publisher: Zino Publishing

Review Posted Online: May 2, 2018

Kirkus Reviews Issue: June 1, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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