LOST PROPERTY

The mind behind When Martha’s Away (1995) mines humor from the story of a family and a trail of disappearing objects. Maurice narrates; his mother is either gardening, shopping, knitting, or searching for lost objects, while his father sings in the shower, paints most of the exterior of the house, or looks high and low for a missing dry-cleaning ticket. A double-page spread of the dog, Mac, dressed in a man’s jacket, surrounded by all the missing objects allows readers to be in on the joke. As with Ingman’s previous book, onlookers will either love the art or find it hopelessly naive. The figures are uniformly stiff, but there are always expressive touches: the tilt of Mac’s eyes, the brush strokes that pass for Maurice’s pants, the cobbled-together garden of paint, ink lines, and seed packets. The story is not particularly new, but the pictures can be seen from the back of the room; the book works best as inspiration for children to put together their own scenes of comic domestic turmoil. (Picture book. 4-8)

Pub Date: March 1, 1998

ISBN: 0-395-88900-6

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 1998

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MY LUCKY DAY

It’s become predictable, this story of the pig outfoxing the fox, but Kasza’s version does sport his lively art and a measure of dry humor. When a piglet comes knocking on Mr. Fox’s door, the fox can’t believe his luck; he’s not used to delivery service. The piglet is just about to be tucked in the oven, when he suggests a few improvements to Mr. Fox. Wouldn’t he taste better if he were washed first—“Just a thought, Mr. Fox”—and plumped up and perhaps massaged to tenderize the meat? The fox agrees that he would, rushing madly about scrubbing, feeding, and working the piglet’s tissues, and promptly falling into an exhausted swoon. The pig is last seen back in his pen, thumbing through his address book—Mr. Bear, Mr. Wolf, Mr. Coyote—getting ready to work the same ruse on another carnivore. Fun enough, though no self-respecting four-year-old will be very worried about this little porker’s fate. (Picture book. 4-7)

Pub Date: Sept. 1, 2003

ISBN: 0-399-23874-3

Page Count: 32

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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CHATO'S KITCHEN

Chato and Novio Boy, low-riding East Los Angeles homeboys of the feline variety, have dinner guests. The invitees, a family of five fat mice who just moved in next door, haven't an inkling that they are the intended main course. But when the mice bring along their friend Chorizo (a worldly mutt in a slouch beret) to share the grub, he thwarts the cats' connivings. This unlikely three- species chow-down is a sweet salute to Spanish cooking, with fajitas, frijoles, and quesadillas sharing center stage. Soto delivers a spare, clever text; the words skip like stones across water—``His tail began to swing to the rhythm. He felt the twinge of mambo in his hips.'' Guevara's swarming, luxuriant illustrations give the atmosphere palpability, with brushstrokes so fresh readers will want to stick their fingers in the paint to feel its texture. Menace hangs in the air; the artist mixes the sinisterness of R. Crumb with moments of Edvard Munch terror, yet it seems likely from the outset that the mice are more than capable of looking after themselves. Incidental touches—little devils and angels darting about, a bird wedding glimpsed through a window—are there for the sharp-eyed. Smart, with a nice edge. Soto's inspired finger-snapping prose has found an equally imaginative comrade in Guevara's colorful urban paintings. (Picture book. 4-8)

Pub Date: March 22, 1995

ISBN: 0-399-22658-3

Page Count: 32

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1995

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