A huge plastic ball appears on one side of each appealing double-spread photo here, with the added interest of a child (playing at the shore); an artist; a dog; a fire truck; or simply the foaming surf. Broad white margins on either side accommodate the reader's two hands—vividly labelled, as they hold the book, by the words ``left'' and ``right,'' printed in the ball's rainbow colors. Every aspect of this basic concept book is worked out with MacMillan's usual extraordinary care: many things in addition to the ball can be described as being at left or right; artfully, he controls his limited color scheme and contrives beautifully composed scenes that are virtually devoid of extraneous details. In all: a delightful means of reinforcing an essential concept. Notes on the photography and the participants. (Nonfiction/Picture book. 3-7)
Pub Date: April 15, 1992
ISBN: 0-8234-0946-5
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
For Berkner’s fans; there are much better books about children visiting imaginative lands.
Berkner’s children’s song gets the picture-book treatment with illustrations from Garoche.
What kid hasn’t made a massive pillow fort and imagined all sorts of adventures? Well, Berkner’s premise is that there is a land where everything is made of pillows, and three lucky children get to visit there. (They appear to be siblings, perhaps a blended family: Mom and one girl are black; Dad, one boy, and one girl are white.) The illustrations transition between depictions of obvious imaginative play in a bedroom to a fantasy world and back again at the end, when the parents peek in at the three asleep. Garoche’s art consists of photos of papercut artwork arranged in dioramas with some Photoshop details. Reminiscent of Michael Garland’s work (though more pastel in color) or that of Elly McKay (though less ethereal), the illustrations are a mixed bag, with layers and hard edges juxtaposed against all the pillows. The king and queen of the song are obviously stand-ins for the parents. Children who know the tune may not sit still for a reading, while those who don’t may wonder at the repeated refrain.
For Berkner’s fans; there are much better books about children visiting imaginative lands. (Picture book. 3-7)Pub Date: Nov. 7, 2017
ISBN: 978-1-4814-6467-3
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: Aug. 11, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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