An exciting new installment in Perry’s detective series.

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Gone On Kauai

A woman disappears on the island of Kauai, Hawaii, in this second novel in Perry’s (Barbarous Coasts, 2013) Karl Standt series.

Former NYPD detective Standt takes on a private assignment from Sam Wilcox, the father of Amanda Wilcox, a woman who went missing off the coast of Kauai while paddle-boarding on a calm day. The sheriff deemed it a death by shark attack, due to the state of her board when it was eventually found. But her body hasn’t turned up, and other people on the island, including a cop, Chris Ke’alohilani, believe the board was doctored. Amanda was working for an organization publicizing the damaging effects of genetically modified plants, and at first, Standt’s only leads seem to point to Monsanto, a company researching and producing genetically modified plants on the island. But Standt soon uncovers Amanda’s addiction to painkillers and her possible connection to unsavory drug dealers. With the help of others, including Chris K. Church (a lanky loner and computer whiz), Katie Hudson (Standt’s journalist girlfriend, reporting for Slate magazine) and real-life actress Scarlett Johansson (Amanda’s childhood friend), Standt unravels the truth about Amanda’s disappearance and risks his life to go after the seedy men involved. Perry reprises his Karl Standt character here, but this novel can easily stand on its own. The island of Kauai is a character in itself (“the flat river moved with a hypnotic slowness, like heavy floodwaters”), and Perry effectively describes its culture, including the super-rich who view Kauai as a trust-fund playground, the surfing locals who personify the laid-back island vibe, and the plague of drugs that are harvested and sold there. Perry depicts the different sides of island life through the perspective of New Yorker Standt, who’s out of his element but relies on his instincts. Although the plot sometimes glosses over details, it eventually provides a thrilling revelation.

An exciting new installment in Perry’s detective series. 

Pub Date: Nov. 17, 2013

ISBN: N/A

Page Count: 214

Publisher: Web Dispatches Publishing

Review Posted Online: March 2, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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