A firm response to currently accepted dog-training methods.
A convincing guide for dog owners as well as a memoir of instructive adventures set in nature.
As the title of this debut work suggests, the central figure here is the wolf. Bailey insists that the tendency to anthropomorphize pets doesn’t serve them well: “The dog is a modified wolf, not a human.” The author bases his arguments on decades of experience as a licensed dog trainer, police canine officer, and dog sled racer. Several passages, taken out of context, may strike some readers as harsh. In actuality, Bailey goes to great lengths to explain the economic and psychological influences that cause dog owners to make regrettable decisions, whether due to the machinations of the massively profitable pet industry or the very real human need for affection and companionship. Nevertheless, this book represents much more than a simple training guide. There is an undeniable power and beauty to the author’s musings as he weaves into the text vital lessons learned from his mentor during intense survival training in the Alaskan wilderness. His rugged prose effectively conveys the physically and emotionally grueling nature of these exercises from his youth, to say the least. At one point, he literally stares into the eyes of the alpha male of the wolf pack. He also embraces spiritual elements, carefully constructing each chapter to begin with an appropriate epigraph, often quoting indigenous leaders or peoples. (He throws Jack London, John M. Campbell, and Henry David Thoreau into the mix, too.) As Bailey summarizes, “We are not adequately educated in regard to wolves and their behavior, and what little we do know, we are afraid of.” He successfully rectifies this situation in a bold and refreshing manner. For instance, such knowledge can help consumers choose which portable kennels are most appropriate for puppies based on animal behavior in the wild. Throughout the text, he repeats a mantra derived from the social relations displayed in wolf packs: “ ‘Obey today, eat today, live today’ is the reality. Obedience is required.”
A firm response to currently accepted dog-training methods.Pub Date: Sept. 24, 2015
ISBN: 978-1-61-933471-7
Page Count: 174
Publisher: FastPencil, Incorporated
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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