This recurring gumshoe earns his ongoing series, even if he takes a back seat to the baddie this time around.

READ REVIEW

Sabotage

From the A Reece Culver Thriller series , Vol. 2

Colorado private investigator Reece Culver, vacationing in Britain, looks into the case of an assassin targeting people linked to a London corporation in this thriller.

Reece and retired cop pal Haisley Averton are tourists in Scotland just for the trout fishing. But when they narrowly avoid getting in the path of a sniper’s bullet, Reece takes it personally and starts his own investigation. The assassin’s target was reporter Thomas Billington, who’d been writing an investigative piece on Karl Rhodes, chief of strategy at London’s Draecon International. The company has just amped up its security, suspecting that someone hacked Rhodes’ home and office computers. Reece finds his way to the home of Rhodes’ estranged wife, Marie—as well as her bed—while Haisley, scouring Billington’s laptop, discovers a possible connection between Draecon and experimental military aircraft. At the same time, Julian Cross, an assassin on retainer, works for a client with an apparent hit list. When it’s fairly obvious that Rhodes is Julian’s next target, Reece takes Rhodes, Marie, and Rhodes’ mistress, Candice, to hide out in Colorado. Julian tracks them to the United States, however, and goes gunning for the businessman—or maybe all four. The story culminates in a kidnapping, what may very well be an attempt to draw out Reece. The novel, a solid thriller, delivers an assassin pursuing targets everywhere from America to Anguilla in the Caribbean. There’s a bit of mystery, though it’s all but vanished before the story’s halfway point when Koepke (Damage, 2015, etc.) resolves the biggest conundrum—who hired Julian? Reece is a sufficient protagonist, a better action hero than detective. Nevertheless, he’s nearly surpassed by the far more engaging Julian, a nameless killer to most of the other characters. His sniping skills are exceptional even if he’s not the most efficient assassin, trying to shoot someone, for example, from a speeding ATV. It’s Julian’s seemingly mundane behavior that turns him into an everyday man; it’s fascinating when he checks the sights of his Sig Sauer in his apartment while lasagna bakes in the oven.

This recurring gumshoe earns his ongoing series, even if he takes a back seat to the baddie this time around.

Pub Date: Oct. 10, 2015

ISBN: 978-0-9915824-3-3

Page Count: 310

Publisher: Writers Cabin Press, Ltd.

Review Posted Online: Feb. 11, 2016

Kirkus Reviews Issue: April 15, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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