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ED SAVAGE AND THE SAVAGE HALLOWEEN MASSACRE

From the Savage Saga series , Vol. 3

A highly suspenseful and exhilarating conclusion to a trilogy.

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A family once again faces vicious killers with ties to its past in this final installment of a thriller series.

Ed Savage’s friend Tasker Grenning convinces the actor to join him on the dating TV show Eligible Husbands: New York. For good measure, Tasker talks Ed’s brothers—Sam, Roman, and Logan—into signing up as well. Love may be in (and soon on) the air, but, surprisingly, on the first day of filming, two contestants don’t show up, only to turn up murdered. Since the cops shut down production, the show merely shoots elsewhere, moving from Port Roberts to Claw Lakes, New York. But joining the contestants and the show’s host in Claw Lakes is more than one person who’s seeking vengeance and prone to homicide. Meanwhile, recently released convict Barney Allen heads to Port Roberts. He apparently grew close to his still-incarcerated cellmate, Clifford Adams, whose wish list Barney willingly tackles and which includes revenge against Ed. As if that weren’t enough, a killer is targeting female students at Our Lady of Saints University. This is likely the same stalker who’s following student Jenna Vreeland and waiting for the right moment to attack. Though Jenna, with help from her sister, survives her initial encounter with the culprit, he remains at large. Consequently, her father and uncles, one of whom has recently escaped from a sanatorium, vow to unmask and take down Jenna’s assailant. Many of these characters converge in Claw Lakes, where an ensuing bloodbath forces people into a fight for survival.

Roberts’ lengthy novel (over 600 pages) is teeming with characters. The Savage clan is a likable bunch, particularly Ed, while other players range from genial to wholly unsympathetic. They are generally tied to gleefully intricate subplots and backstories. In one case, a woman retaliates against her abusive husband, who’s rendered comatose and whose relative, even years later, plots revenge against the wife. The narrative adopts the style of a slasher film, delivering more than one murderer, which results in abundant bloody deaths. Likewise, these killers are often ferocious, more invested in violating, mutilating, or humiliating someone than in the victim’s death. The author nevertheless generates memorable scenes by slowly building tension. The stalker, for example, trails Jenna in an El Camino, which the mere sight of in later scenes readers will find nerve-wracking. In the same vein, there’s a Halloween Festival in Claw Lakes, setting the stage for exceedingly creepy locales, such as a hay maze and an old, abandoned windmill. Roberts’ chiseled prose lets the unnerving environment speak for itself, complete with the sanatorium’s “subterranean cells,” the adjacent cemetery, and the perpetual cold October night air. As in the preceding installment, this story cites earlier series events with nary a recap. While readers new to the trilogy won’t be lost, knowledge of the first two volumes would prove beneficial, especially regarding a few of the final-act twists. The author ends his series smashingly—with a showdown featuring a helicopter and some characters invariably plummeting.

A highly suspenseful and exhilarating conclusion to a trilogy. (author's notes)

Pub Date: July 26, 2020

ISBN: 978-0-578-71660-2

Page Count: 667

Publisher: Savage Roberts Publishing

Review Posted Online: Oct. 28, 2020

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GONE BEFORE GOODBYE

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

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A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.

Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

Pub Date: Oct. 14, 2025

ISBN: 9781538774700

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Oct. 15, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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