I WAS RIGHT ON TIME

The life of former Negro League player and manager O'Neil, whose folksy gentility was so winning in Ken Burns's documentary Baseball. Born John Jordan O'Neil in Carrabelle, Fla., in 1911, O'Neil started playing semi-pro ball at the age of 12. He signed with the Tampa Black Smokers in 1934, then played with the Miami Giants before being picked up by a farm team of the famed Kansas City Monarchs. There were other stops on the way to the big time, including a barnstorming stint with the Zulu Cannibal Giants, a team that played wearing grass skirts. O'Neil takes long, affectionate looks at old friends and teammates, including the legendary Satchel Paige, Josh Gibson, Cool Pap Bell, Buck Leonard, Newt Allen, and ``the greatest player'' he ever saw, Oscar Charleston, who played for the Indianapolis ABCs in the 1920s. His ``favorite'' year—and its recounting is the highlight of the book- -was 1942, when he and his Monarch teammates beat Gibson and Leonard's Homestead Grays in the Negro World Series. His reminiscences and anecdotes are generally fresh and engaging, if sometimes a bit soft-pedaled: ``I never faced any real racism traveling around the country . . . Oh, you'd hear some kid make some kind of crack, but you didn't let that bother you none.'' He does, however, acknowledge Jackie Robinson's accomplishment—and his consequent struggles—in breaking the color barrier. And as a longstanding force on the Hall of Fame selection committee, he has ffought for the admission of former Negro Leaguers. O'Neil doesn't place himself on his all-time Negro League team—he was only ``very good''—but hopes to make it to the Hall of Fame someday, ``as a manager or for other contributions.'' Sweetly self-effacing, O'Neil's grace and charm play almost as well here as they do for the camera. (16 pages b&w photos, not seen) (Author tour)

Pub Date: June 1, 1996

ISBN: 0-684-80305-4

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1996

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One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

BACK FROM THE DEAD

A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”

Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

Pub Date: March 8, 2016

ISBN: 978-1-4767-1686-2

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Dec. 19, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading...

CONCUSSION

A maddening, well-constructed tale of medical discovery and corporate coverup, set in morgues, laboratories, courtrooms, and football fields.

Nigeria-born Bennet Omalu is perhaps an unlikely hero, a medical doctor board-certified in four areas of pathology, “anatomic, clinical, forensic, and neuropathology,” and a well-rounded specialist in death. When his boss, celebrity examiner Cyril Wecht (“in the autopsy business, Wecht was a rock star”), got into trouble for various specimens of publicity-hound overreach, Omalu was there to offer patient, stoical support. The student did not surpass the teacher in flashiness, but Omalu was a rock star all his own in studying the brain to determine a cause of death. Laskas’ (Creative Writing/Univ. of Pittsburgh; Hidden America, 2012, etc.) main topic is the horrific injuries wrought to the brains and bodies of football players on the field. Omalu’s study of the unfortunate brain of Pittsburgh Steeler Mike Webster, who died in 2002 at 50 of a supposed heart attack, brought new attention to the trauma of concussion. Laskas trades in sportwriter-ese, all staccato delivery full of tough guyisms and sports clichés: “He had played for fifteen seasons, a warrior’s warrior; he played in more games—two hundred twenty—than any other player in Steelers history. Undersized, tough, a big, burly white guy—a Pittsburgh kind of guy—the heart of the best team in history.” A little of that goes a long way, but Laskas, a Pittsburgher who first wrote of Omalu and his studies in a story in GQ, does sturdy work in keeping up with a grim story that the NFL most definitely did not want to see aired—not in Omalu’s professional publications in medical journals, nor, reportedly, on the big screen in the Will Smith vehicle based on this book.

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading it.

Pub Date: Nov. 24, 2015

ISBN: 978-0-8129-8757-7

Page Count: 288

Publisher: Random House

Review Posted Online: Sept. 15, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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