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Footloose In America

DIXIE TO NEW ENGLAND

A slight but appealing account of a long walk (with mule) from Arkansas to Maine.

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The author and his wife, newlyweds in their 50s, undertake a cross-country journey by mule-drawn cart in this memoir.

As in the old Simon & Garfunkel song, Kenny (From This Side of the Road, 2003) and his wife, Patricia, went looking for America. What they found was a lot more encouraging than one might imagine. Yes, there was a churlish, self-important security guard at one point and some boundary-testing teens, bad weather, and killer chiggers. But at the book’s core is an overwhelming sense of how nice most Americans are. They offer the Kennys places to stay, free meals, and even laundry service. And when things do go awry, people want to help—whether they’re members of an Amish enclave in Ohio or undocumented Mexicans working in an apple orchard in upstate New York. The author, who crossed the United States with a pack pony and a dog in the 1970s, decided to repeat the experience in 2001. Only this time, he took along the missus and a Belgian mule named Della, who pulled the couple’s ingeniously designed cart. Powered by solar energy (and Della), the contraption converted into a traveling theater (Kenny performs and sells his own poems), a home office, and even a makeshift kitchen. The couple (plus Della) began their adventure in Hot Springs, Arkansas, and ended it in 2006 on the coast of Maine. It took them as long as it did because they mostly traveled in the spring, summer, and early fall; winters would be spent wherever they were welcome—in the aforementioned orchard or while working for a horse-drawn carriage company catering to tourists in the charming town of Madison, Indiana (which was also a favorite of Charles Kuralt). Kenny writes in such a conversational, in-the-moment tone that it’s a little jarring to realize that his and his wife’s journey happened more than a decade ago. Still, as he admits, he has a touch of the “traveling medicine show” in him: “But instead of pushing potions and pills, we’d pass the hat and peddle my self-published poetry books.” Readers may start off resisting this memoir; after all, far more accomplished writers, from Mark Twain to John Steinbeck, have shared their own cross-country travel tales. Yet somehow the Kennys’ stories grow on you—as does Della’s, as she’s easily one of the most engaging equine personalities this side of Mister Ed. Simply put, they’re good company. 

A slight but appealing account of a long walk (with mule) from Arkansas to Maine.

Pub Date: July 11, 2015

ISBN: 978-1-5115-7095-4

Page Count: 356

Publisher: CreateSpace

Review Posted Online: Aug. 13, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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