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BY THE SEAT OF MY PANTS

MY LIFE IN COUNTRY MUSIC

Country boy from dirt poverty makes millions as a Nashville publisher/producer/writer. Those hoping for another howitzer of a tell-all tale like Scott Faragher's Music City Babylon (1992) will be disappointed with Killen's soft-spoken approach. Born in 1932 in Florence, Alabama, Killen grows up in a one-room shack with seven siblings, all of whom have to spend their summers chopping cotton in order to survive. The sole family entertainment is singing and playing music together and, by age 19, the talented author is working out of Nashville, at first singing and writing and then touring on the road. At this point, the narrative descends into tedious descriptions of an interminable string of bean-eating nights of second-tier performers and forgotten hopefuls. But Killen's story picks up when he puts a $50 reel-to-reel tape recorder on his car seat and starts talent-scouting and publishing. When, 35 years later, he decides to sell his publishing company, Tree, CBS gives him $40 million for it and he remains CEO. Killen indulges in some gossip here and there in his text, but by today's standards, hardly sensational: e.g., that the group Exile took so many stimulants that they fired Killen as their manager; that country- star Joe Tex, with whom the author wrote four #1 hits, got started on drugs by a woman who gave him angel dust, and that he was found dead in his swimming pool only four years later (Killen's grief for his friend's early death seems genuine). Best for country-music buffs and scholars, particularly with its descriptions of the Nashville growth years in the 50's and 60's. (Sixteen pages of b&w photographs—not seen)

Pub Date: June 21, 1993

ISBN: 0-671-79540-6

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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