A brave girl with a powerful gift travels through the Alaskan wilderness in search of her missing father and uncle in Bumppo’s first book.
Everlasting seems to have an idyllic life on the shores of the Yukon River in the mid-1800s. She has a loving family, a peaceful tribe and even friendly dog-sled puppies to play with. Then the river floods her village, destroying the residents’ homes and washing away all their food and material possessions. Everyone survives, but Everlasting’s father and uncle are missing—carried away in their canoes while fishing. The resourceful villagers start rebuilding right away. While gathering seeds and berries, Everlasting finds a special walking stick that allows her to understand and speak to animals. Armed with the stick, she sets out to find her missing relatives. Along the way, she meets many animals, including a graceful raven, a mighty king salmon and a family of wolves. Each plays a part in helping Everlasting on her journey, and she always returns the favor. Later, Everlasting meets a pair of warring tribes, but her walking stick inspires her to take on every challenge peacefully and with wisdom. A longtime resident of Alaska, Bumppo has packed his adventure story for children with authentic details about a community and a way of life that will be new to many young readers: North American aboriginal people not yet besieged by white settlers. This tale offers many lessons about courage, compromise, resilience and faith—but they’re not trite. In fact, Everlasting’s respectful encounters with the animals along the shore resemble Mowgli’s in The Jungle Book—the human and animal worlds blend into one cooperative kingdom. The author writes with finesse, describing plot, action, nature and Déné traditions in a straightforward, absorbing way. Clean black-and-white sketches open each of the six chapters. In the end, Everlasting must make a weighty decision, one that leaves open the possibility of more stories from the new author. A wholesome historical adventure story for preteens brings a culture to life while dealing with universal truths.
Pub Date: July 1, 2013
ISBN: 978-1-59433-400-9
Page Count: 96
Publisher: Publication Consultants
Review Posted Online: Jan. 10, 2014
Kirkus Reviews Issue: March 15, 2014
Review Program: Kirkus Indie
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A volume of poetry that shines when focused on the author’s experiences of race and culture.
A collection speaks in part to the poet’s Mexican-American heritage.
In these multifaceted poems, Mexico-born, Houston-raised Salazar (Of Dreams and Thorns, 2017) explores general human themes like love and war in addition to specific experiences as a person of color. The book begins with a sensual meditation on desire, featuring luscious descriptions of a lover, from lips “moist like youth” to the body’s “softest velvet” slopes. The poems shift to odes to cultural icons like the Tejano star Selena and Mexican-German painter Frida Kahlo as well as occasion pieces honoring his brother’s 40th birthday and a friend’s mother’s memorial service. The author hits his stride when he delves into identity. In “I Am Not Brown,” he contemplates the societal implications of skin tone and his inability to fit into the rigid category of Caucasian or Latino. “For white and black and brown alike / Are slaves to history’s brush strokes,” he writes. “Grateful for the Work,” perhaps Salazar’s loveliest poem, catalogs the day of a laborer, starting with an early morning awakening and following him as he toils in 100-degree heat, enjoys tacos from his lunch pail, buys beverages from a child’s lemonade stand, and returns home to an equally hard-working wife. The author then makes an abrupt turn toward Syria in a series of poems that condemn that country’s president, Bashar Hafez al-Assad. They serve as a rallying cry for Syrians and grieve for the murdered masses. Salazar’s closing poem, “Sons of Bitches,” is a clunky rant about a 20-year-old immigrant shot in the head by a U.S. Customs and Border Patrol agent. The gratuitous violence and political theologizing are ill at ease with the intimate, personal experiences that preceded them, such as the fablelike “A Mexican is Made of This,” in which Salazar beautifully describes the “rainbows, bronze, backbone, butterflies” that his people embody.
A volume of poetry that shines when focused on the author’s experiences of race and culture.Pub Date: Aug. 1, 2018
ISBN: 978-0-9991496-3-8
Page Count: 166
Publisher: Bronze Diamond Productions
Review Posted Online: Sept. 27, 2018
Review Program: Kirkus Indie
BOOK REVIEW
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