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EIGHTY-FIVE HALLOWEENS

An octogenarian recalls his life in a collection of anecdotes.

  Harris writes “for pleasure and for the occasional shock of revelation when my writing uncovers a personal secret I’ve been keeping from myself.” It is both this humor and catharsis that punctuate many of the 100-plus stories spanning the author’s eight decades. The writings are medicinal within the backdrop of Harris’ psychiatric journeys, but the passing of his psychiatrist impels a different, if not cheaper, remedy. What better way to get relief than cutting your income in half because you no longer have to financially support your doctor? These occasionally self-deprecating tales are semi-chronological, but they are also sometimes more like disorganized ramblings that, overall, seem to have little coherence or identity. The grab bag of yarns does well on the level of individual stories, depending mostly on an occasional quick wit or clever observation. The speculation on the meaning of a mother mashing her son’s middle finger in the car door is irreverent and funny. The theory that everyone needs a nemesis is certainly made more interesting by the tenant Marbo, a man whose health actually improves when he is once again able to regularly argue with someone. And most readers (probably men) will be able to relate to the counsel of relationship love tests or the futility of arguing with your wife, no matter how high the temperature climbs. These stabs for humor or philosophy, however, endure two very evident shortcomings. One is that they are too few and far between. There is certainly an accumulation of living in 80+ years, but the author’s experiences aren’t overly exciting or compelling. Part of this problem is in the writer’s identity. Readers learn that Harris wrote some pieces for the San Francisco Chronicle, but his renown ends there. The other shortcoming is the medium. It could very well be that Harris is a great storyteller, but writing is simply a poor conveyance. The reader might get the sense that people named Old Dutch, Horse-Face Horace or Eye-Ball Brown are more compelling or funny in the oral tradition of storytelling. Perhaps the stories are just more in the vein of, “You had to be there.”   An often-aimless collection more suited to a different medium.

 

Pub Date: Oct. 25, 2010

ISBN: 978-1602646384

Page Count: 304

Publisher: VBW Publishing

Review Posted Online: Dec. 30, 2011

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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