by Byron Rogers ‧ RELEASE DATE: April 1, 2003
A thoughtful and deliciously entertaining collection.
British columnist Rogers serves up an extremely palatable mix of historical fact, local color, and the necessary pinch of gravitas, as urban ways spread ever deeper into what was once rural England.
Twelve sections, from “Approaches in Time” to “Exits,” contain previously published columns offering a wry, intelligent status report on rural life. Rogers first describes how in 1980 he and his family bought a small cottage in the Northamptonshire village of Blakesley, moving to the country for reasons both sentimental and practical, as do many others. These newcomers, he notes, have dramatically changed village life: most of the men leave home before 9 a.m. to commute to city jobs, and townsfolk no longer bound by the land have little in common and do not know one another. This has been going on since the 1850s, when for the first time more British people lived in cities than in the countryside. Today, 84 percent of the population visits visits rural areas as a nostalgia-driven “leisure activity.” Going against the current nostalgia for all things rural, Rogers demonstrates that life in the country has always been hard. People were pushed off the land in the Middle Ages when wool became king (more than 13,000 acres in the Midlands alone were turned into sheep ranches between 1485 and 1500), and villagers later lost their right to common grazing land when hedges were planted. Not all the wealthy preyed on the poor: the author portrays one squire who generously paid for much-needed improvements while housing his mistresses in village cottages. Along his way, Rogers meets with local aristocrats like Sir George Sitwell, talks to farmers overwhelmed by bureaucracy and to the village’s oldest inhabitant, who has seen the horse replaced by the car, a Methodist Chapel turned into a showroom, and the railway station fall out of use.
A thoughtful and deliciously entertaining collection.Pub Date: April 1, 2003
ISBN: 1-85410-882-4
Page Count: 256
Publisher: Aurum/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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